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Sebastian Hackenschmidt has written 7 work(s)
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Cover for 9783721209358 Cover for 9783035609998 Cover for 9783702506971 Cover for 9783869841571 Cover for 9783941185296 Cover for 9783941185593 Cover for 9783775722476
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Paperback:

9783702506971 | Paul & Co Pub Consortium, April 1, 2013, cover price $23.99

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Product Description: The designer Mihály Biró (1886-1948) was the graphic voice of Soviet communism in Hungary. He joined the Social Democratic cause early in life, and between 1910 and 1920 designed some of the most widely admired posters and illustrations of the era, for the SZDP (Hungarian Social Democratic Party) and then the Hungarian Soviet Republic...read more
By Mihaly Biro (other contributor), Michael Diers (contributor), Sebastian Hackenschmidt (contributor), Peter Klinger (contributor) and Peter Noever (editor)

Paperback:

9783869841571 | Bilingual edition (Verlag Fur Moderne Kunst, August 31, 2011), cover price $30.00 | About this edition: The designer Mihály Biró (1886-1948) was the graphic voice of Soviet communism in Hungary.

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By Sebastian Hackenschmidt (contributor), Andreas Kristof (contributor), Peter Noever (editor), Gabriel Ramin Schor (contributor) and Paul Virilio (contributor)

Paperback:

9783941185296 | Verlag Fur Moderne Kunst, December 31, 2010, cover price $40.00

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By Sebastian Hackenschmidt (contributor), Petra Lange-Berndt (contributor), Peter Noever (editor) and Barbara Plankensteiner (contributor)

Paperback:

9783941185593 | Bilingual edition (Verlag Fur Moderne Kunst, April 30, 2010), cover price $45.00

cover image for 9783775722476
Product Description: In the mid-1960s, artists like Robert Morris, Joseph Beuys, Michelangelo Pistoletto and Lynda Benglis began to experiment with formlessness in their materials. The maxim Form follows material, however, was not only proclaimed in the era's avant-garde art: it had a distinct impact on furniture design as well--for example, on Gunnar A...read more

Paperback:

9783775722476 | Hatje Cantz Pub, February 1, 2009, cover price $40.00 | About this edition: In the mid-1960s, artists like Robert Morris, Joseph Beuys, Michelangelo Pistoletto and Lynda Benglis began to experiment with formlessness in their materials.

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