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Dietmar Rubel has written 4 work(s)
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Cover for 9783943365665 Cover for 9781935202615 Cover for 9783865607881 Cover for 9783775722476
A World of Wild Doubt
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Product Description: British poet G.K. Chesterton s apocalyptic anarchist classic The ManWho Was Thursday (1908) proves the unlikely starting point for thisexhibition and publication from the Kunstverein Hamburg. Chesterton smysterious crime story about a seven-headed anarchist council, whichconsists of spies from London s secret police, addresses a world in apermanent state of emergency...read more
By Dietmar Rubel (editor)
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Paperback:

9783943365665 | Sternberg, July 1, 2013, cover price $31.00 | About this edition: British poet G.

Sigmar Polke: We Petty Bourgeois!, Comrades and Contemporaries, the 1970s
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Product Description: In the postwar dawn of late capitalism, options for political address in painting seemed to polarize themselves into, on one hand, the cool critiques of image truth found in the art of Gerhard Richter or Andy Warhol--and on the other, the decidedly hotter and messier rhetoric of a Sigmar Polke...read more
By Dietmar Rubel (editor)
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Hardcover:

9781935202615, titled "Sigmar Polke: We Petty Bourgeois!: Comrades and Contemporaries, the 1970s" | Walther Konig, October 31, 2011, cover price $75.00 | About this edition: In the postwar dawn of late capitalism, options for political address in painting seemed to polarize themselves into, on one hand, the cool critiques of image truth found in the art of Gerhard Richter or Andy Warhol--and on the other, the decidedly hotter and messier rhetoric of a Sigmar Polke.

Polke & Co: Wir Kleinburger! Zietgenossen und Zeitgenossonnen: Dokumentation einer Ausstellung in der Hamburger Kunsthalle/ We Petty Bourgeois! Comrades and Conte
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By Dorothee Bohm, Petra Lange-Berndt, Olaf Pascheit (photographer) and Dietmar Rubel
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Paperback:

9783865607881 | Bilingual edition (Walther Konig, August 31, 2010), cover price $49.95

Formless Furniture / Formlose Mobel
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Product Description: In the mid-1960s, artists like Robert Morris, Joseph Beuys, Michelangelo Pistoletto and Lynda Benglis began to experiment with formlessness in their materials. The maxim Form follows material, however, was not only proclaimed in the era's avant-garde art: it had a distinct impact on furniture design as well--for example, on Gunnar A...read more
By Sebastian Hackenschmidt, Peter Noever (editor) and Dietmar Rubel
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Paperback:

9783775722476 | Hatje Cantz Pub, February 1, 2009, cover price $40.00 | About this edition: In the mid-1960s, artists like Robert Morris, Joseph Beuys, Michelangelo Pistoletto and Lynda Benglis began to experiment with formlessness in their materials.

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