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Infinite Regress: Marcel Duchamp, 1910-1941
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Bibliographic Detail
Publisher
Mit Pr
Publication date
April 1, 2001
Pages
262
Binding
Paperback
Edition
Reprint
Book category
Adult Non-Fiction
ISBN-13
9780262600385
ISBN-10
0262600382
Dimensions
0.75 by 7 by 9 in.
Weight
1.20 lbs.
Original list price
$33.00
Other format details
university press
Amazon.com says people who bought this book also bought:
Donald Judd Complete Writings 1959-1975 | The Originality of the Avant-Garde and Other Modernist Myths | The Artwork Caught by the Tail | Reframing Abstract Expressionism | Essays on the Blurring of Art and Life | Art and Objecthood | Painting As Model | Farewell to an Idea
Donald Judd Complete Writings 1959-1975 | The Originality of the Avant-Garde and Other Modernist Myths | The Artwork Caught by the Tail | Reframing Abstract Expressionism | Essays on the Blurring of Art and Life | Art and Objecthood | Painting As Model | Farewell to an Idea
Summaries and Reviews
Summary
An examination of the multiple identities and practices of Marcel Duchamp's life and art between 1910 and 1941 takes into account underacknowledged works and focuses on the conjunction of the machine and the commodity in the artist's art, and various forms of measurement, inscription, and quantification. Reprint.
(view table of contents)Editions
Hardcover
from Mit Pr (March 13, 1998); titled "Infinite Regress Marcel Duchamp 1910-1941"
9780262100670 | details & prices | 252 pages | 7.25 × 9.25 × 1.00 in. | 1.50 lbs | List price $60.00
About: There is not one Marcel Duchamp, but several.
About: There is not one Marcel Duchamp, but several.
Paperback
The price comparison is for this edition
Reprint edition from Mit Pr (April 1, 2001)
9780262600385 | details & prices | 262 pages | 7.00 × 9.00 × 0.75 in. | 1.20 lbs | List price $33.00
About: An examination of the multiple identities and practices of Marcel Duchamp's life and art between 1910 and 1941 takes into account underacknowledged works and focuses on the conjunction of the machine and the commodity in the artist's art, and various forms of measurement, inscription, and quantification.
About: An examination of the multiple identities and practices of Marcel Duchamp's life and art between 1910 and 1941 takes into account underacknowledged works and focuses on the conjunction of the machine and the commodity in the artist's art, and various forms of measurement, inscription, and quantification.
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