search for books and compare prices
By
Michael Leja
Price
Store
Arrives
Preparing
Shipping
The price is the lowest for any condition, which may be new or used; other conditions may also be available. Rental copies must be returned at the end of the designated period, and may involve a deposit.
Bibliographic Detail
Publisher
Yale Univ Pr
Publication date
March 1, 1997
Pages
392
Binding
Paperback
Book category
Adult Non-Fiction
ISBN-13
9780300070828
ISBN-10
0300070829
Dimensions
1 by 7 by 10 in.
Weight
2.10 lbs.
Original list price
$39.00
Other format details
university press
Amazon.com says people who bought this book also bought:
Women of Abstract Expressionism | Three Artists (Three Women) | How New York Stole the Idea of Modern Art | Being Watched | Reading Abstract Expressionism | Primitivism, Cubism, Abstraction | Abstract Expressionism
Women of Abstract Expressionism | Three Artists (Three Women) | How New York Stole the Idea of Modern Art | Being Watched | Reading Abstract Expressionism | Primitivism, Cubism, Abstraction | Abstract Expressionism
Summaries and Reviews
(view table of contents)
Amazon.com description: Product Description:
In the wake of World War II, the paintings of Jackson Pollock, Mark Rothko, Barnett Newman, Willem de Kooning, and other New York School artists participated in a culture-wide initiative to reimagine the self. At a time when widely held beliefs about human nature and the human condition were coming to seem to many commentators increasingly outdated and inadequate, Abstract Expressionism gave compelling visual form to a new subjectivity—a new experience and idea of self.
In this original and wide-ranging study, Michael Leja argues that the interest of these artists in tapping "primitive" and unconscious components of self aligns them with many contemporary essayists, Hollywood filmmakers, journalists, and popular philosophers who were turning, like the artists, to psychology, anthropology, and philosophy in the effort to reformulate individual identity. Taking Pollock's paintings and their reception as a case study, Leja shows that critics located in Pollock's abstract forms a web of metaphors—including spatial entrapment, conflicted production, energy flow, gendered opposition, and unconsciousness—that situated the paintings in mainstream cultural discourses on the individual's sense of self and identity. In this interpretative frame, the cultural and ideological character of the art is illuminated. According to Leja, Abstract Expressionism effectively enacted and represented the new, conflicted, layered subjectivity, a feature that helps to account for the support and interest it garnered from cultural and political institutions alike.
In this original and wide-ranging study, Michael Leja argues that the interest of these artists in tapping "primitive" and unconscious components of self aligns them with many contemporary essayists, Hollywood filmmakers, journalists, and popular philosophers who were turning, like the artists, to psychology, anthropology, and philosophy in the effort to reformulate individual identity. Taking Pollock's paintings and their reception as a case study, Leja shows that critics located in Pollock's abstract forms a web of metaphors—including spatial entrapment, conflicted production, energy flow, gendered opposition, and unconsciousness—that situated the paintings in mainstream cultural discourses on the individual's sense of self and identity. In this interpretative frame, the cultural and ideological character of the art is illuminated. According to Leja, Abstract Expressionism effectively enacted and represented the new, conflicted, layered subjectivity, a feature that helps to account for the support and interest it garnered from cultural and political institutions alike.
Editions
Hardcover
from Yale Univ Pr (July 1, 1993)
9780300044614 | details & prices | 7.50 × 10.50 × 1.00 in. | 2.70 lbs | List price $80.00
Paperback
The price comparison is for this edition
from Yale Univ Pr (March 1, 1997)
9780300070828 | details & prices | 392 pages | 7.00 × 10.00 × 1.00 in. | 2.10 lbs | List price $39.00
About: In the wake of World War II, the paintings of Jackson Pollock, Mark Rothko, Barnett Newman, Willem de Kooning, and other New York School artists participated in a culture-wide initiative to reimagine the self.
About: In the wake of World War II, the paintings of Jackson Pollock, Mark Rothko, Barnett Newman, Willem de Kooning, and other New York School artists participated in a culture-wide initiative to reimagine the self.
Pricing is shown for items sent to or within the U.S., excluding shipping and tax. Please consult the store to determine exact fees. No warranties are made express or implied about the accuracy, timeliness, merit, or value of the information provided. Information subject to change without notice. isbn.nu is not a bookseller, just an information source.