Perfect for individuals who want to use the internet as they explore American history, this is a web/book hybrid that uses the power of the internet to engage readers interested in the history of the United States since 1865. The book presents a clear, streamlined narrative of the social, political, economic, and cultural history of the United States since 1865, enabling the reader to appreciate the variety and diversity of the American experience. The website that corresponds to the book includes images, maps, audio clips, primary source documents, and more. For anyone interested in exploring American history since 1865 with the help of the internet.

Product Description: Concentrating on scholarship over the past four decades, this multidisciplinary approach to representation considers conceptual issues about representation and applies different theories to various arts. Following an introduction that traces the historical debates surrounding the concept of representation, Part One focuses on representation and language, epistemology, politics and history, sacrificial rites, possible world and postmodernism...read more (view table of contents, read Amazon.com's description)

Product Description: Art can provide us with a sensory experience that provokes us to reconfigure how we think about our world and ourselves. Theories of art have often sought to find some feature of art that isolates it from the rest of experience. Keith Lehrer argues, in opposition, that art is connected, not isolated, from how we think and feel, represent and react...read more

Product Description: Thomas Kuhn's celebrated work, "The Structure of Scientific Revolutions" revolutionized thinking in the philosophy of science and to a large extent his 'paradigm shift' view has replaced logical positivism and the philosophy of Karl Popper...read more

Product Description: Representation is a concern crucial to the sciences and the arts alike. Scientists devote substantial time to devising and exploring representations of all kinds. From photographs and computer-generated images to diagrams, charts, and graphs; from scale models to abstract theories, representations are ubiquitous in, and central to, science...read more

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Product Description: The overall subject of the essays in The Body/Body Problem is the traditional one of what our ultimate makeup is, as creatures with minds and bodies. The central thesis is that we are beings who represent―and misrepresent―actual and possible worlds...read more (view table of contents, read Amazon.com's description)

In Body Language, Mark Rowlands argues that the problem of representation--how it is possible for one item to represent another--has been exacerbated by the assimilation of representation to the category of the word. That is, the problem is traditionally understood as one of relating inner to outer--relating an inner representing item to something extrinsic or exterior to it. Rowlands argues that at least some cases of representation need to be understood not in terms of the word but of the deed. Activity, he claims, is a useful template for thinking about representation; our representing the world consists, in part, in certain sorts of actions that we perform in that world. This is not to say simply that these forms of acting can facilitate representation but that they are themselves representational. These sorts of actions--which Rowlands calls deeds--do not merely express or re-present prior intentional states. They have an independent representational status.After introducing the notion of the deed as a "preintentional act," Rowlands argues that deeds can satisfy informational, teleological, combinatorial, misrepresentational, and decouplability constraints--and so qualify as representational. He puts these principles of representation into practice by examining the deeds involved in visual perception. Representing, Rowlands argues, is something we do in the world as much as in the head. Representing does not stop at the skin, at the border between the representing subject and the world; representing is representational "all the way out."

Product Description: How can one think about a thing, think something false about it, and still be thinking about that thing at all? If a concept is applied to something outside its meaning, how are we to say it does not mean that thing as well? The problem of misrepresentation is one of the central issues in contemporary philosophy of mind...read more (view table of contents, read Amazon.com's description)

Product Description: <div><em>Deleuze and the Genesis of Representation</em> is a systematic study of three of Deleuze's central works: <em>Difference and Repetition</em>, <em>The Logic of Sense</em> and, with Guattari, <em>Anti-Oedipus</em>...read more

Product Description: Descartes held that only ideas are immediately perceived, and that all ideas are really identical to mental states. Yet certain passages in the Meditations seem to assert that some extramental individuals -- the sun, for example, or a piece of wax -- can be immediately perceived (not by the senses, but by the intellect)...read more

No two writing situations are exactly the same and skilled writers, like skilled painters, must develop the know-how to represent the objects of their writing as part of a flexible art. This special art of writing lies hidden between grammar--the well-formedness of sentences--and genre--the capacity of texts to perform culturally holistic communicative functions (e.g., the memo, the strategic report, the letter to the editor). Concealed between grammar and genre, this less visible art of writing is what Kaufer and Butler call "representational composition." Texts within this hidden art are best viewed not primarily as grammatical units or as genre functions, but as bearers of design elements stimulating imagistic, narrative, and information-rich worlds, and as an invitation to readers to explore and interact with them. This volume presents a systematic study of the principles that underlie writing as representational composition. Drawing from student models derived from a studio method, the authors use each chapter to present a different aspect of what unfolds--across the course of the book--into a cumulative, interactive, and unified body of representational principles underlying the design of texts. They reveal what makes the textual representations achieved by expert writers worthwhile, and, at the same time, difficult for novice writers to reproduce. Extending the framework of their 1996 volume, Rhetoric and the Arts of Design, into a realm of textual design, this volume will interest students and instructors of writing, rhetoric, and information design.

Product Description: No two writing situations are exactly the same and skilled writers, like skilled painters, must develop the know-how to represent the objects of their writing as part of a flexible art. This special art of writing lies hidden between grammar--the well-formedness of sentences--and genre--the capacity of texts to perform culturally holistic communicative functions (e...read more (view table of contents, read Amazon.com's description)

Product Description: In this original work on aesthetics, philosopher John Dilworth offers an unusual theory of the nature of artworks. The Double Content (DC) view is the first comprehensive theory of art that is able to satisfactorily explain the nature of all kinds of artworks in a unified way — whether paintings, novels, or musical and theatrical performances...read more

Product Description: Durkheim's sociological thought is based on the premise that the world cannot be known as a thing in itself, but only through representations, rough approximations of the world created either individually or collectively. This set of papers by leading Durkheimians from Britain, America and continental Europe is the first concentrated attempt to understand what he meant by representations, how his understanding of the term was influenced by Kant and by neo-Kantians like Charles Renouvier and how his use of the concept in his work developed over time...read more

The theorists of art and film commonly depict the modern audience as aesthetically and politically passive. In response, both artists and thinkers have sought to transform the spectator into an active agent and the spectacle into a communal performance.In this follow-up to the acclaimed The Future of the Image, Rancière takes a radically different approach to this attempted emancipation. First asking exactly what we mean by political art or the politics of art, he goes on to look at what the tradition of critical art, and the desire to insert art into life, has achieved. Has the militant critique of the consumption of images and commodities become, ironically, a sad affirmation of its omnipotence?

Product Description: Emerging Landscapes brings together scholars and practitioners working in a wide range of disciplines within the fields of the built environment and visual arts to explore landscape as an idea, an image, and a material practice in an increasingly globalized world...read more

In his own day, Karl Leonhard Reinhold was considered one of the major figures in philosophical thought of the late 18th and early 19th century. He was an important expositor of Kant's thought. He is also considered by many to have been the bridge between Kant and the later German idealists. In the English-speaking world only few translations of his work have been attempted. This imbalance is corrected in the present work - the first translation into English of Reinhold's major work from 1789. The translators provide an overview of the main currents of thought which informed Reinhold's philosophical project, as well as notes on his reading of Kant and other important thinkers of Reinhold's day. A glossary of key terms, a bibliography of scholarly work on Reinhold and suggestions for further reading are also included.

Product Description: Ethics and Representation provides a critique and overview of contemporary post-structuralist theory. Exploring the Kantian and phenomenological background of Derrida, Deleuze, Foucault, and Irigaray, this book raises some key questions and issues in critical theory...read more (view table of contents, read Amazon.com's description)

Pragmatists have traditionally been enemies of representationalism but friends of naturalism, when naturalism is understood to pertain to human subjects, in the sense of Hume and Nietzsche. In this volume Huw Price presents his distinctive version of this traditional combination, as delivered in his René Descartes Lectures at Tilburg University in 2008. Price contrasts his view with other contemporary forms of philosophical naturalism, comparing it with other pragmatist and neo-pragmatist views such as those of Robert Brandom and Simon Blackburn. Linking their different 'expressivist' programmes, Price argues for a radical global expressivism that combines key elements from both. With Paul Horwich and Michael Williams, Brandom and Blackburn respond to Price in new essays. Price replies in the closing essay, emphasising links between his views and those of Wilfrid Sellars. The volume will be of great interest to advanced students of philosophy of language and metaphysics.