In this little book the attempt has been to trace Greek History so as to be intelligible to young children. In fact, it will generally be found that classical history is remembered at an earlier age than modern history, probably because the events are simple, and there was something childlike in the nature of all the ancient Greeks.

"Aunt Charlotte's Stories of Greek History", by Charlotte Mary Yonge. Charlotte Mary Yonge was an english novelist (1823-1901).

“For thy walls a pretty slight drollery.” The Second Part of King Henry IV. “A bad lot. Yes, sir, a thoroughly bad lot.” “You don’t mean it.” “Yes, ma’am, a bad lot is the Uphill people. Good for nothing and ungrateful! I’ve known them these thirty-years, and no one will do anything with them.”

Charlotte Mary Yonge (1823-1901) began writing in 1848 and published about 100 works, chiefly novels. Her first commercial success was "The Heir of Redclyffe" (1854). During her lifetime, she was admired and respected by such notable literary figures as Alfred Tennyson and Henry James, and strongly influenced the Pre-Raphaelite Brotherhood, especially William Morris and D. G. Rossetti.

My Young Alcides. please visit www.valdebooks.com for a full list of titles

Charlotte Mary Yonge was a British writer during the 19th century. She devoted her writing to the church and the Oxford Movement, which strove to bring the church back to the ideals of the 17th century. Among the best known of her works are Heartsease; or, The Brother's Wife (1854), The Daisy Chain; or, Aspirations (1856), A History of Christian Names (1863, revised 1884), A Book of Golden Deeds (1864), The Dove in the Eagle's Nest (1866), Life of John Coleridge Patteson: Missionary Bishop of the Melanesian Islands (1873) and Hannah More (1888). In Unknown to History: a story of the captivity of Mary of Scotland the story of Cicely Tailbot is told. Cicely was the daughter of Mary Stewart. The story of Mary's captivity is told in detail and the portrait of Elizabeth is done in an excellent manner.

The Heir of Redclyffe tells the story of the Byronic Guy Morville, heir to the Redclyffe baronetcy, and his cousin Philip Morville, a conceited hypocrite who enjoys an unwarrantedly high reputation. When Guy raises money to secretly pay off the debts of his blackguard uncle, Philip spreads the rumour that Guy is a reckless gambler. As a result Guy's proposed marriage to his guardian's daughter Amy is called off and he is disowned by his guardian. Guy bears the situation with a new-found Christian fortitude until the uncle clears his character, enabling him to marry Amy after all. They honeymoon in Italy, finding Philip there suffering from a life-threatening fever. Guy nurses him back to health, but catches the fever himself and dies. Philip, transformed by contrition, inherits Redclyffe.

Product Description: Young folks' history of Rome

As the most striking lines of poetry are the most hackneyed, because they have grown to be the common inheritance of all the world, so many of the most noble deeds that earth can show have become the best known, and enjoyed their full meed of fame. Therefore it may be feared that many of the events here detailed, or alluded to, may seem trite to those in search of novelty; but it is not for such that the collection has been made.

Nearly two thousand years ago there was a brave captain whose name was Julius Cæsar. The soldiers he led to battle were very strong, and conquered the people wherever they went. They had no gun or gunpowder then; but they had swords and spears, and, to prevent themselves from being hurt, they had helmets or brazen caps on their heads, with long tufts of horse-hair upon them, by way of ornament, and breast-plates of brass on their breasts, and on their arms they carried a sort of screen, made of strong leather.

Richard the Fearless, the great grandfather of William the Conqueror, became Duke of Normandy at just 8 years old, after the assassination of his father. The Little Duke tells the heroic tales of his trials at home in Normandy and at the court in France where he was a prisoner.

Product Description: A Book of Worthies, Gathered from the Old Histories by Charlotte Mary Yonge. This book is a reproduction of the original book published in 1882 and may have some imperfections such as marks or hand-written notes.

'Have you talked it over with her?' said Mr. Ferrars, as his little slender wife met him under the beeches that made an avenue of the lane leading to Fairmead vicarage. 'Yes!' was the answer, which the vicar was not slow to understand. 'I cannot say I expected much from your conversation, and perhaps we ought not to wish it. We are likely to see with selfish eyes, for what shall we do without her?' 'Dear Albinia! You always taunted me with having married your sister as much as yourself.' 'So I shall again, if you cannot give her up with a good grace.' 'If I could have had my own way in disposing of her.'

Product Description: A Book of Golden DeedsTrue Stories of Courage and Self-sacrificeBy Charlotte M. YongeAs the most striking lines of poetry are the most hackneyed, because they have grown to be the common inheritance of all the world, so many of the most noble deeds that earth can show have become the best known, and enjoyed their full meed of fame...read more

There are of course peculiar advantages as well as disadvantages in endeavouring to write the life of one recently departed. On the one hand, the remembrances connected with him are far fresher; his contemporaries can he consulted, and much can be made matter of certainty, for which a few years would have made it necessary to trust to hearsay or probable conjecture. On the other, there is necessarily much more reserve; nor are the results of the actions, nor even their comparative importance, so clearly discernible as when there has been time to ripen the fruit.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

It is sometimes treated as an impertinence to revive the personages of one story in another, even though it is after the example of Shakespeare, who revived Falstaff, after his death, at the behest of Queen Elizabeth. This precedent is, however, a true impertinence in calling on the very great to justify the very small! Yet many a letter in youthful handwriting has begged for further information on the fate of the beings that had become favourites of the school-room; and this has induced me to believe that the following out of my own notions as to the careers of former heroes and heroines might not be unwelcome; while I have tried to make the story stand independently for new readers, unacquainted with the tale in which Lady Merrifield and her brothers and sisters first appeared.

If a book by an author who must call herself a veteran should be taken up by readers of a younger generation, they are begged to consider the first few chapters as a sort of prologue, introduced for the sake of those of elder years, who were kind enough to be interested in the domestic politics of the Mohuns and the Underwoods. Continuations are proverbially failures, and yet it is perhaps a consequence of the writer's realization of characters that some seem as if they could not be parted with, and must be carried on in the mind, and not only have their after-fates described, but their minds and opinions under the modifications of advancing years and altered circumstances.

Product Description: There is sure another Flood toward, that so many couples are coming to the Ark.—As You Like It “Ah! it is a pitiable case!” “What case, boys?” “Yours, mother, with such an influx of daughters-in-law.” “I suspect the daughters-in-law think themselves more to be pitied...read more

Product Description: In these days of exactness even a child's historical romance must point to what the French term its pieces justficatives. We own that ours do not lie very deep. The picture of Simon de Montfort drawn by his wife's own household books, as quoted by Mrs...read more

Product Description: On a moorland slope where sheep and goats were dispersed among the rocks, there lay a young lad on his back, in a stout canvas cassock over his leathern coat, and stout leathern leggings over wooden shoes. Twilight was fast coming on; only a gleam of purple light rested on the top of the eastern hills, but was gradually fading away, though the sky to the westward still preserved a little pale golden light by the help of the descending crescent moon...read more

Product Description: On a bright autumn day, as long ago as the year 943, there was a great bustle in the Castle of Bayeux in Normandy. The hall was large and low, the roof arched, and supported on thick short columns, almost like the crypt of a Cathedral; the walls were thick, and the windows, which had no glass, were very small, set in such a depth of wall that there was a wide deep window seat, upon which the rain might beat, without reaching the interior of the room...read more

It is the fashion to call every story controversial that deals with times when controversy or a war of religion was raging; but it should be remembered that there are some which only attempt to portray human feelings as affected by the events that such warfare occasioned. 'Old Mortality' and 'Woodstock' are not controversial tales, and the 'Chaplet of Pearls' is so quite as little. It only aims at drawing certain scenes and certain characters as the convulsions of the sixteenth century may have affected them, and is, in fact, like all historical romance, the shaping of the conceptions that the imagination must necessarily form when dwelling upon the records of history. That faculty which might be called the passive fancy, and might almost be described in Portia's song,— 'It is engendered in the eyes, By READING fed—and there it dies,'— that faculty, I say, has learnt to feed upon character and incident, and to require that the latter should be effective and exciting. Is it not reasonable to seek for this in the days when such things were not infrequent, and did not imply exceptional wickedness or misfortune in those engaged in them? This seems to me one plea for historical novel, to which I would add the opportunity that it gives for study of the times and delineation of characters. Shakespeare's Henry IV. and Henry V., Scott's Louis XI., Manzoni's Federigo Borromeo, Bulwer's Harold, James's Philip Augustus, are all real contributions to our comprehension of the men themselves, by calling the chronicles and memoirs into action. True, the picture cannot be exact, and is sometimes distorted—nay, sometimes praiseworthy efforts at correctness in the detail take away whatever might have been lifelike in the outline. Yet, acknowledging all this, I must still plead for the tales that presumptuously deal with days gone by, as enabling the young to realize history vividly—and, what is still more desirable, requiring an effort of the mind which to read of modern days does not. The details of Millais' Inquisition or of his Huguenot may be in error in spite of all his study and diligence, but they have brought before us for ever the horrors of the auto-da-fe, and the patient, steadfast heroism of the man who can smile aside his wife's endeavour to make him tacitly betray his faith to save his life. Surely it is well, by pen as by picture, to go back to the past for figures that will stir the heart like these, even though the details be as incorrect as those of the revolt of Liege or of La Ferrette in 'Quentin Durward' and 'Anne of Geierstein.' Scott, however, willfully carved history to suit the purposes of his story; and in these days we have come to feel that a story must earn a certain amount of credibility by being in keeping with established facts, even if striking events have to be sacrificed, and that the order of time must be preserved. In Shakespeare's days, or even in Scott's, it might have been possible to bring Henry III. and his mignons to due punishment within the limits of a tale beginning with the Massacre of St. Bartholomew; but in 1868 the broad outlines of tragedy must be given up to keep within the bounds of historical verity.