Product Description: This major work brings together, for the first time in a single volume, all the recognized sources of Marlowe's dramatic work. Many of the forty-two texts presented here are of outstanding interest in their own right. Together they illuminate the cultural milieu which fostered Marlowe's talent, and deepen our appreciation of his dramatic methods...read more

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Product Description: This major work brings together, for the first time in a single volume, all the recognized sources of Marlowe's dramatic work. Many of the forty-two texts presented here are of outstanding interest in their own right. Together they illuminate the cultural milieu which fostered Marlowe's talent, and deepen our appreciation of his dramatic methods...read more

Product Description: A selective survey of literary criticism of Marlowe's drama and poetry designed for sixth-form students and undergraduates. The book offers a discussion of Marlowe's career and his impact on his immediate contemporaries.

Product Description: An examination of the themes and dramatic verse of Murder in the Cathedral and The Cocktail Party, exploring the background to Eliot's playwriting. Particular attention is paid to the role of directors such as E.Martin Browne and Terry Hands and players such as Sir Alec Guinness...read more

'After years of sham heroics and superhuman balderdash, Caste delighted everyone by its freshness, its nature, its humanity.' Thus, after watching a revival in 1897, did Shaw generously recognize the impact made thirty years earlier by Tom Robertson's best-known play. Yet, in spite of the acknowledged importance of these seminal dramas, they are not easily accessible in print, and this edition therefore comprises four of Robertson's most successful comedies: Society (1865), Ours (1866), Caste (1867) and School (1869). Beginning his career as a theatrical hack-of-all-trades, Robertson ultimately found his niche with the Bancrofts at the Prince of Wales's Theatre, establishing a vogue for comedies of everyday Victorian life, and creating vehicles for casts whose particular talents he learnt to exploit. The playwright's distinctive trademarks - fairytale contrivance and domestic realism, tender romance and mild debunking of convention - offered a refreshing change from the prevailing genres of burlesque and melodrama. William Tydeman's substantial introduction follows each phase of Robertson's creative development, stressing the historical significance of his works as well as their intrinsic merits as drama.

Product Description: Popular and scholarly works on the Elizabethan stage have long familiarised readers and playgoers with the main features of a typical Shakespearian playhouse, yet medieval stage conditions remain far less well known, despite the amount of research in this area recently...read more

Product Description: Popular and scholarly works on the Elizabethan stage have long familiarised readers and playgoers with the main features of a typical Shakespearian playhouse, yet medieval stage conditions remain far less well known, despite the amount of research in this area recently...read more