We know Robert Schumann in many ways: as a visionary composer, a seasoned journalist, a cultured man of letters, and a genius who, having passed his mantle on to the young Brahms, succumbed to mental illness in 1856. Drawing on recent pathbreaking research, this collection offers new perspectives on this seminal nineteenth-century figure.In Part I, Leon Botstein and Michael P. Steinberg assess Schumann's efforts to place music at the center of German culture, in public and private sectors. Bernhard R. Appel offers a probing source study of one of Schumann's most personal works, the Album für die Jugend, Op. 68, while John Daverio considers the generic identity of Das Paradies und die Peri, and Jon W. Finson reexamines the first version of the Eichendorff Liederkreis. Gerd Nauhaus investigates Schumann's approach to the symphonic finale, and R. Larry Todd considers the intractable issue of quotations and allusions in Schumann's music. Part II presents letters and memoirs, including unpublished correspondence between Clara Schumann and Felix and Paul Mendelssohn-Bartholdy. In Part III, conflicting critical views of Schumann are juxtaposed. Some of these sources are translated into English for the first time.Originally published in 1994.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Product Description: Granddaughter of the philosopher Moses Mendelssohn and sister of the composer Felix Mendelssohn Bartholdy, Fanny Hensel (1805-1847) was an extraordinary musician who left well over four hundred compositions, most of which fell into oblivion until their rediscovery late in the twentieth century...read more

Product Description: Fanny wurde 1805 in Hamburg als erstes Kind des Bankiers Abraham Mendelssohn und seiner Frau Lea geboren. Obwohl 'gleichermaßen begabt' (so Goethe) wie ihr Bruder Felix, blieb ihr ein Musikerleben in der Öffentlichkeit verwehrt...read more

Product Description: When R. Larry Todd’s biography, Mendelssohn: A Life in Music, appeared in 2003, it won acclaim from several critics as a definitive biography. In researching Mendelssohn’s life over the last two and a half decades, Todd uncovered much new information about the composer and his music, his family and his peers, and his complex reception history...read more

Perspectives on Mozart Performance, published during the Mozart bicentennial year, is the first volume in a new series. It includes essays by distinguished musicologists and performers, each exploring a different aspect of Mozart's music in performance. Several studies consider the eighteenth-century roots of Mozart's approach to performance and examine such issues as the role of ornamentation (Paul Badura-Skoda, Frederick Neumann), improvization (Katalin Komlós), cadenzas (Christoph Wolff), and Mozart's conception of tempos in a pre-metronomic age (Jean-Pierre Marty). Two studies examine Mozart's string writing (Jaap Schroeder) and the influence of his father's remarkably popular Violinschule (Robin Stowell). An essay by Peter Williams treats Mozart's use of the chromatic fourth and performance styles associated with that figura. Finally, the later, nineteenth-century response to Mozart is explored through the study of Mendelssohn's performances of Mozart (R. Larry Todd).

A portrait of the distinguished composer, musician, and artist draws on his correspondence, diaries, and creative works to analyze his most distinctive achievements as well as his lesser-known pieces, exploring his religious heritage, role as a Jewish performer, and complex relationship with his sister. (Biography)

Product Description: Although best known as the sister of Felix Mendelssohn, Fanny Mendelssohn Hensel (1805-47) was a virtuoso pianist and a composer of considerable merit in her own right. Her oeuvre of more than 400 compositions remained largely unknown for more than a century after her untimely death, and her newly rediscovered reputation as a composer rests chiefly with her piano music...read more

Product Description: The concert overtures A Midsummer Night's Dream, Calm Sea and Prosperous Voyage, and The Hebrides (Fingal's Cave), conceived by Mendelssohn before the age of twenty, have ranked among the most enduring of the nineteenth-century orchestral repertoire...read more (view table of contents, read Amazon.com's description)

The life and works of Felix Mendelssohn-Bartholdy are enjoying a considerable resurgence of interest among musicologists, musicians, and music-lovers alike. This volume of ten essays presents the most recent trends in Mendelssohn research, covering three broad catagories--reception history, historical and critical essays, and case studies of particular compositions. Based on primary sources from the nineteenth century, including little known autograph manuscripts and letters of the composer, the volume examines Mendelssohn's historical reception, his relationships with such contemporaries as Franz Liszt, A.B. Marx, Eduard Devrient, and Friedrich Wilhelm IV, and such works as the Variations sérieuses, Preludes and Fugues Op. 35, Calm Sea and Prosperous Voyage Overture, and Reformation Symphony .

Product Description: This book should be of interest to undergraduate courses in music.

Product Description: This collection of pieces for violin and piano is from a manuscript volume of early composition exercises which Mendelssohn began in 1819 and finished early in 1821 under the guidance of C. F. Zelter. Bach's influence is evident in the Andante and the two Fugues in contrast to the Movement in G minor which is scherzo-like and reminiscent of Haydn's humour...read more

Product Description: This volume includes seven piano compositions, which chart Mendelssohn's astonishingly rapid stylistic development between 1823 and 1826: Capriccio, Prestissimo, Fugue in G minor, Vivace, and Fugue in E major, the Andante in D major and Allegro in C major...read more