Product Description: The last twenty-five years have witnessed some provocative transmutations in our understanding of early modern chemistry.  The alchemist, once marginalized as a quack, now joins the apothecary, miner, humanist, and natural historian as a practitioner of “chymistry...read more

Product Description: Genetically modified food, art in the form of a phosphorescent rabbit implanted with jellyfish DNA, and robots that simulate human emotion would seem to be evidence for the blurring boundary between the natural and the artificial...read more

Product Description: Since the Enlightenment, alchemy has been viewed as a sort of antiscience, disparaged by many historians as a form of lunacy that impeded the development of rational chemistry. But in Atoms and Alchemy, William R. Newman—a historian widely credited for reviving recent interest in alchemy—exposes the speciousness of these views and challenges widely held beliefs about the origins of the Scientific Revolution...read more

In an age when the nature of reality is complicated daily by advances in bioengineering, cloning, and artificial intelligence, it is easy to forget that the ever-evolving boundary between nature and technology has long been a source of ethical and scientific concern: modern anxieties about the possibility of artificial life and the dangers of tinkering with nature more generally were shared by opponents of alchemy long before genetic science delivered us a cloned sheep named Dolly.In Promethean Ambitions, William R. Newman ambitiously uses alchemy to investigate the thinning boundary between the natural and the artificial. Focusing primarily on the period between 1200 and 1700, Newman examines the labors of pioneering alchemists and the impassioned--and often negative--responses to their efforts. By the thirteenth century, Newman argues, alchemy had become a benchmark for determining the abilities of both men and demons, representing the epitome of creative power in the natural world. Newman frames the art-nature debate by contrasting the supposed transmutational power of alchemy with the merely representational abilities of the pictorial and plastic arts--a dispute which found artists such as Leonardo da Vinci and Bernard Palissy attacking alchemy as an irreligious fraud. The later assertion by the Paracelsian school that one could make an artificial human being--the homunculus--led to further disparagement of alchemy, but as Newman shows, the immense power over nature promised by the field contributed directly to the technological apologetics of Francis Bacon and his followers. By the mid-seventeenth century, the famous "father of modern chemistry," Robert Boyle, was employing the arguments of medieval alchemists to support the identity of naturally occurring substances with those manufactured by "chymical" means.In using history to highlight the art-nature debate, Newman here shows that alchemy was not an unformed and capricious precursor to chemistry; it was an art founded on coherent philosophical and empirical principles, with vocal supporters and even louder critics, that attracted individuals of first-rate intellect. The historical relationship that Newman charts between human creation and nature has innumerable implications today, and he ably links contemporary issues to alchemical debates on the natural versus the artificial.

Reputed to have performed miraculous feats in New England--restoring the hair and teeth to an aged lady, bringing a withered peach tree to fruit--Eirenaeus Philalethes was also rumored to be an adept possessor of the alchemical philosophers' stone. That the man was merely a mythical creation didn't diminish his reputation a whit--his writings were spectacularly successful, read by Leibniz, esteemed by Newton and Boyle, voraciously consumed by countless readers. Gehennical Fire is the story of the man behind the myth, George Starkey.Though virtually unknown today and little noted in history, Starkey was America's most widely read and celebrated scientist before Benjamin Franklin. Born in Bermuda, he received his A.B. from Harvard in 1646 and four years later emigrated to London, where he quickly gained prominence as a "chymist." Thanks in large part to the scholarly detective work of William Newman, we now know that this is only a small part of an extraordinary story, that in fact George Starkey led two lives. Not content simply to publish his alchemical works under the name Eirenaeus Philalethes, "A Peaceful Lover of Truth," Starkey spread elaborate tales about his alter ego, in effect giving him a life of his own. (view table of contents)

Product Description: This volume deals with corpuscular matter theory that was to emerge as the dominant model in the seventeenth century. By retracing atomist and corpuscularian ideas to a variety of mutually independent medieval and Renaissance sources in natural philosophy, medicine, alchemy, mathematics, and theology, this volume shows the debt of early modern matter theory to previous traditions and thereby explains its bewildering heterogeneity...read more