Product Description: The poems in Earth's Almanac emerged over a fifteen-year period following the untimely death of the poet's sister. Lucy Newlyn adapts the tradition of the "Shepherd's Calendar" to the phases of grief, condensing a long process of reflection and remembering into the passage of a single year...read more

Product Description: William Wordsworth's iconic relationship with his 'beloved Sister' spanned nearly fifty years. Separated after the death of their mother when Dorothy was six, and reunited as orphans after the death of their father, they became inseparable companions...read more

Product Description: Edward Thomas is an important figure in the English literary canon, a major twentieth-century poet, he was also one of England's most experienced and respected Edwardian and Georgian critics, and an observer of the countryside second to none...read more

Product Description: When Edward Thomas died in the First World War, very few of his poems had been published, but he is now recognised as one of the finest and most influential poets of the last century. Although often referred to as ‘a poet’s poet’, his writing has an almost universal appeal...read more

Product Description: The authors in this collection join an animated debate on the persistence of Romanticism. Even as dominant twentieth-century cultural movements have contested Romantic "myths" of redemptive Nature, individualism, perfectibility, the transcendence of art, and the heart's affections, the Romantic legacy survives as a point of tension and of inspiration for modern writers...read more

Product Description: Exploring the English hinterlands of middle-class Headingley and working-class Meanwood, this collection of poetry is pervaded by a sense of restless wandering between two worlds and times. Set in and around the ginnels—passages between houses—of Leeds, where the author grew up in the 1960s, this unified sequence of poems revisits the places of childhood with acute particularity, recalling familiar sights and sounds, local characters, favorite walks, and dialect learned when playing in back streets...read more

Product Description: Reading, Writing, and Romanticism bridges a perceived gulf between materialist and idealist approaches to the reader. Informed by an historical awareness of Romantic hermeneutics and its later developments (as well as by an understanding of the circumstances conditioning the production and consumption of literature in this period), the book examines how readers are imagined, addressed, figured and theorized in Romantic poetry and criticism (1790-1830)...read more

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In her study of two creative minds, Lucy Newlyn offers a startlingly new version of the poetic interaction between Coleridge and Wordsworth during the critical years from 1797 to 1807. Rejecting the traditional accounts, even those given by the poets themselves, which have minimized the differences between the two, Newlyn demonstrates that it is only on the most superficial level that each poet seemed to be the other's ideal audience. Below that surface, she insists, there were radical dissimilarities between the two which led to a kind of "creative" misunderstanding by which each artist clearly defined himself in relation to the other. Because it is in the poet's "private language" of allusion that these differences are most clearly seen, the book concludes that this "private language" spoken by artists amongst themselves may in fact be the most aggressive of literary forms.

Was Milton on the side of the angels or the devils? Was he republican or anti-republican, feminist or misogynist? Did he value innocence or experience? This book shows how the Romantic reader responded, in complex and often paradoxical ways, to multiple ambiguities inherent in the very language of Paradise Lost. It examines ambivalent allusions to Satan and God, in responses to the French Revolution (Coleridge and Wordsworth), in studies of the origin of evil (Godwin, Blake, the Shelleys), in accounts of the creative imagination, and it looks at how Eve pervades representations of female sexuality (Byron and Keats). The book culminates in a chapter on Blake's Milton and also considers such prose writers as De Quincey, Lamb, Wollstonecraft, and Hazlitt. (view table of contents)

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