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James Monaco has written 17 work(s)
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Paperback:
9780195321050 | 4 rev exp edition (Oxford Univ Pr, May 8, 2009), cover price $29.95
Paperback:
9780970703958 | 30 anv edition (Harbor Electronic Pub, May 30, 2004), cover price $29.95
Sets movies in the contexts of their aesthetic and technological antecedents and reviews all important factors of and issues pertaining to contemporary film and television production and theory.
(view table of contents)
Paperback:
9780195038699 | 3 sub edition (Oxford Univ Pr, March 1, 2000), cover price $29.95 | About this edition: Sets movies in the contexts of their aesthetic and technological antecedents and reviews all important factors of and issues pertaining to contemporary film and television production and theory.
9789990055443 | 3 edition (Oxford Univ Pr, March 1, 2000), cover price $0.02
Sets movies in the contexts of their aesthetic and technological antecedents and reviews all important factors of and issues pertaining to contemporary film and television production and theory.
(view table of contents)
Hardcover:
9780195139815 | 3 har/dvd edition (Oxford Univ Pr, June 15, 2000), cover price $42.50 | About this edition: Sets movies in the contexts of their aesthetic and technological antecedents and reviews all important factors of and issues pertaining to contemporary film and television production and theory.
9789990848366 | 3 edition (Oxford Univ Pr, March 1, 2000), cover price $0.02
Hardcover:
9780966974430 | Dvdr edition (Harbor Electronic Pub, February 1, 2000), cover price $39.97
Paperback:
9780966974492 | Pap/dvdr edition (Harbor Electronic Pub, February 1, 2000), cover price $59.95
(view table of contents)
Hardcover:
9780966974416 | Harbor Electronic Pub, February 1, 2000, cover price $39.95
Product Description: Your complete guide to the digital revolution now sweeping film and media into the new millenium, The Dictionary of New Media covers thousands of terms that you need to know. A comprehensive introductory essay provides an understandable guide to today's digital revolution...read more (view table of contents, read Amazon.com's description)
Paperback:
9780966974409 | Reprint edition (Harbor Electronic Pub, February 1, 2000), cover price $19.95 | About this edition: Your complete guide to the digital revolution now sweeping film and media into the new millenium, The Dictionary of New Media covers thousands of terms that you need to know.
Paperback:
9780918432438 | Harbor Electronic Pub, January 30, 1998, cover price $11.97
(view table of contents)
Paperback:
9780935182927 | Gem Guides Book Co, May 1, 1997, cover price $11.95
Hardcover:
9780399516047 | J P Tarcher, June 1, 1991, cover price $34.95 | About this edition: A collection for laypersons and experts alike, this authoritative work includes biographies of the stars, producers, directors, writers, technical information, and more
Paperback:
9780399516061 | J P Tarcher, June 1, 1991, cover price $18.95 | About this edition: A collection for laypersons and experts alike, this authoritative work includes biographies of the stars, producers, directors, writers, technical information, and more
Paperback:
9780918432629 | Updated edition (New York Zoetrope, March 1, 1988), cover price $19.95 | About this edition: Book by Monaco, James
Provides cast, credits, plot summaries, critical comments, and evaluations for nearly fifteen hundred of the best films of all time
Paperback:
9780871969637 | Facts on File, July 1, 1985, cover price $9.95 | About this edition: Provides cast, credits, plot summaries, critical comments, and evaluations for nearly fifteen hundred of the best films of all time
Hardcover:
9780918432643, titled "American Film Now the People, the Power, the Money, the Movies" | 2 upd sub edition (New York Zoetrope, October 1, 1984), cover price $19.95
9780195025705 | Oxford Univ Pr, March 1, 1979, cover price $25.00 | About this edition: Investigates the business and art of the American film in the 1970s, comments on the decade's most interesting writers, directors, producers, actors, and actresses, and suggests ways to restructure the movie industry to insure financial and artistic independence
Paperback:
9780452255456 | Rev upd edition (New Amer Library, July 1, 1984), cover price $14.95 | About this edition: Investigates the business and art of the American film in the 70s and early 80s, and comments on the most interesting writers, directors, producers, actors, actresses and the industry
Sets movies in the contexts of their aesthetic and technological antecedents and reviews all important factors of and issues pertaining to contemporary film and television production and theory
(view table of contents)
Hardcover:
9780195028027 | Oxford Univ Pr, June 11, 1981, cover price $40.00 | also contains Criminal Interogation and Confessions | About this edition: Sets movies in the contexts of their aesthetic and technological antecedents and reviews all important factors of and issues pertaining to contemporary film and television production and theory
Paperback:
9780195028065, titled "How to Read a Film: The Art, Technology, Language, History, and Theory of Film and Media" | Oxford Univ Pr, June 11, 1981, cover price $22.50 | also contains Food Compostion Tables Appendix a | About this edition: Sets movies in the contexts of their aesthetic and technological antecedents and reviews all important factors of and issues pertaining to contemporary film and television production and theory
Hardcover:
9780195200379 | Oxford Univ Pr, April 1, 1979, cover price $22.50
Examining such personalities as Farrah Fawcett-Majors, Patty Hearst, and Johnny Carson, essays probe the media's star-making machinery to expose how and why contemporary celebrities are made
Paperback:
9780385281089 | Doubleday, April 1, 1978, cover price $4.95 | About this edition: Examining such personalities as Farrah Fawcett-Majors, Patty Hearst, and Johnny Carson, essays probe the media's star-making machinery to expose how and why contemporary celebrities are made
Paperback:
9780195022469 | Oxford Univ Pr, September 1, 1977, cover price $11.95 | About this edition: Studies the careers and individual films of the five Frenchmen who turned from criticism to moviemaking in the late 1950s and changed the direction and content of modern film
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