Tao Te Ching is a classic chinese book about the origin of taoist philosophy.

Tao Te Ching is a Chinese classic text. The text's true authorship and date of composition or compilation are still debated. The oldest excavated portion dates back to the late 4th century BC, but modern scholarship dates the bulk of the text as having been written, or at least compiled later than the earliest portions of the Zhuangzi. Tao Te Ching, along with the Zhuangzi, is a fundamental text for both philosophical and religious Taoism, and strongly influenced other schools, such as Legalism, Confucianism, and Chinese Buddhism, which when first introduced into China was largely interpreted through the use of Daoist words and concepts. Many Chinese artists, including poets, painters, calligraphers, and even gardeners, have used the Daodejing as a source of inspiration. Its influence has also spread widely outside East Asia, and it is among the most translated works in world literature. The Wade–Giles romanization "Tao Te Ching" dates back to early English transliterations in the late 19th century; its influence can be seen in words and phrases that have become well established in English. "Daodejing" is the pinyin romanization.

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An attractive new alternative as both a translation and a pedagogical tool. The volume includes an excellent introduction by Dante scholar Steven Botterill (Univ. of California, Berkeley), clear and informative notes by lifelong Dantist Anthony Oldcorn, a concise bibliographical note that indicates some important sources on Dante in print and online, and a diagram of Hell; Index of the Damned lists characters who appear in the canticle. The translator's preface explains Lombardo's choices as he faced the always-challenging task of rendering Dante's poetry into English. Among the most interesting choices are the occasional use of rhyme--especially in key passages and at the end of each canto, where interlocking rhymes that mimic Dante's terza rima are consistently employed--and an emphasis on creating a version that works well as an oral presentation, following the long tradition of private, public, and theatrical readings of the poem. The volume includes the original Italian text, thus facilitating classroom references and comparisons. --Rebecca West (Department of Romance Languages and Literatures, University of Chicago) in Choice

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Product Description: "Robert Lamberton's Introduction is an excellent, concise exposition of current scholarly debate: his notes are informative and helpful. . . . Those who want a translation that captures something of the spirit of an ancient Greek poetic voice and its cultural milieu and transmits it in an appealing, lively, and accessible style will now turn to Lombardo...read more