How does Carlyle, Macaulay, Newman sustain the values of old traditions and at the same time meet the challenge of contemporary Victorian experience is the subject of Professor Levine's book. Like the novelists of the period upon whom they had great influence, these three writers were seeking stability and permanence in an age of tremendous change. They were trying to sustain the values and order of old traditions and at the same time meet the challenge of contemporary Victorian experience. How each one met this challenge is essentially the subject of Professor Levine's book. The author begins with a close analysis of the style and structure of the writers' key works, essentially dissimilar in nature, then moves on to an exploration of what they had in common.Originally published in 1968.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Product Description: Global Secularisms addresses the state of and prospects for secularism globally. It brings together theoretical discussion and empirical case studies that illustrate the "on-the-ground," actually existing secularisms as they interact with various religious, political, social, and economic contexts...read more

Product Description: George Levine is one of the world's leading scholars of Victorian literature and culture. This collection of his essays develops the key themes of his work: the intersection of nineteenth-century British literature, culture and science and the relation of knowledge and truth to ethics...read more

Jesus and Darwin do battle on car bumpers across America. Medallions of fish symbolizing Jesus are answered by ones of amphibians stamped "Darwin," and stickers proclaiming "Jesus Loves You" are countered by "Darwin Loves You." The bumper sticker debate might be trivial and the pronouncement that "Darwin Loves You" may seem merely ironic, but George Levine insists that the message contains an unintended truth. In fact, he argues, we can read it straight. Darwin, Levine shows, saw a world from which his theory had banished transcendence as still lovable and enchanted, and we can see it like that too--if we look at his writings and life in a new way. Although Darwin could find sublimity even in ants or worms, the word "Darwinian" has largely been taken to signify a disenchanted world driven by chance and heartless competition. Countering the pervasive view that the facts of Darwin's world must lead to a disenchanting vision of it, Levine shows that Darwin's ideas and the language of his books offer an alternative form of enchantment, a world rich with meaning and value, and more wonderful and beautiful than ever before. Without minimizing or sentimentalizing the harsh qualities of life governed by natural selection, and without deifying Darwin, Levine makes a moving case for an enchanted secularism--a commitment to the value of the natural world and the human striving to understand it.

Product Description: Silas Marner and Two Short Stories, by George Eliot, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras...read more

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Product Description: "Eloquent, provocative, and timely, these essays provide a thoughtful, undoctrinaire defense of the centrality of the humanities to higher education--and society--at the millennium."--Cora Kaplan, University of Southampton The crisis in the humanities and higher education intensifies daily...read more (view table of contents, read Amazon.com's description)

Over the last decade a radical transformation of literary study has taken place, a transformation most distinctly connected to a fundamental change in the conception of what constitutes the “literary.”  A  shift in emphasis from interpretation to theory and from questions about what texts might “mean” to questions about the systems that contain them, along with the movement to replace literary study with cultural studies, have all contributed to this change.  In response to this transformation, George Levine has assembled essays by a wide variety of leading scholars in the field of literary study. The contributors to this book rethink the aesthetic, rewrite its history, and reestablish the formal as a necessary element in criticism of literature and of its ideological implications. An early step in the recuperation of the aesthetic, Aesthetics and Ideology works through the discourses of race, gender, class, and politics, using many of the strategies of contemporary theory, to show how the aesthetic vitally and richly opens itself to new politics, and new possibilities of human value. This is an important contribution to the current academic culture wars.

Darwin’s theory thrust human life into time and nature and subjected it to naturalistic rather than spiritual or moral analysis. Insisting on gradual and regular–lawful–change, Darwinian thought nevertheless requires acknowledgment of chance and randomness for a full explanation of biological phenomena. George Levine shows how these conceptions affected nineteenth–century novelists―from Dickens and Trollope to Conrad―and draws illuminating contrasts with the pre–Darwinian novel and the perspective of natural theology.Levine demonstrates how even writers ostensibly uninterested in science absorbed and influenced its vision. A central chapter treats the almost aggressively unscientific Trollope as the most Darwinian of the novelists, who worked out a gradualist realism that is representative of the mainstream of Victorian fiction and strikingly consonant with key Darwinian ideas. Levine’s boldly conceived analysis of such authors as Scott and Dickens demonstrates the pervasiveness and power of this revolution in thought and sheds new light on Victorian realism.

Examines the realistic styles of the novels of a variety of British authors, including Thomas Hardy, Anthony Trollope, and Jane Austen