Product Description: 1572: Returning from his studies in Montpellier, Pierre de Siorac is ambushed by a jealous Périgord nobleman. A duel ensues, and Pierre must subsequently travel to Paris, to seek his pardon from the King. The capital city and the royal court are a disorienting new environment for Pierre: a world of sweet words and fierce pride, where coquettish smiles hide behind fans, and murderous intents behind elegant bows; a world of genteel tennis matches and deadly swordplay, whose elaborate social graces mask a simmering tension that will soon explode to engulf the entire city in one of history's most infamous bouts of butchery - and signal the dawn of a new and bloody era in the history of France...read more

Product Description: Montpellier in 1566 is one of the greatest seats of learning of the age, a cradle of Renaissance humanism. But even this proud city of philosophers is not safe from the menaces that endanger the peace of France--the city militia are struggling to contend with the lawlessness and religious hatred that threaten to tear the whole country in two...read more

Product Description: Unraveling French Cinema provides a much needed introduction to the complexities of French film for students, cineastes, and the movie-loving public. Looks at the differences between French and American national cinema Explores how French directors shape their films around two potentially divergent goals: the narration of a story and an elaboration of some theory about film itself...read more

Product Description: Unraveling French Cinema provides a much needed introduction to the complexities of French film for students, cineastes, and the movie-loving public. Looks at the differences between French and American national cinema Explores how French directors shape their films around two potentially divergent goals: the narration of a story and an elaboration of some theory about film itself...read more

Cinema has always been "literary" in its desire to tell stories and in its need to borrow plots and narrative techniques from novels. But the French New Wave directors of the 1950s self-consciously rejected the idea that film was a mere extension of literature. With subversive techniques that exploded traditional methods of film narrative, they embraced fragmentation and alienation. Their cinema would be literature's rival, not its apprentice. In Screening the Text, T. Jefferson Kline argues that the New Wave's rebellious stance is far more complex and problematic than critics have acknowledged. Challenging conventional views of film and literature in postwar France, Kline explores the New Wave's unconscious obsession with the tradition it claimed to reject. He uncovers the wide range of the literary and cultural texts -- American films, classical mythology, French literature, and a variety of Russian, Norwegian, German, and English writers and philosophers -- as "screened" in seven films: Truffaut's Jules et Jim; Malle's Les Amants; Resnais's L'Année dernière à Marienbad; Chabrol's Le Beau Serge; Rohmer's Ma Nuit chez Maud; Bresson's Pickpocket; and Godard's Pierrot le fou.

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Product Description: Bertolucci's Dream Loom: A Psychoanalytic Study Of Cinema, by Kline, T. Jefferson