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Farah Karim-cooper has written 4 work(s)
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Product Description: This ground-breaking new book uncovers the way Shakespeare draws upon the available literature and visual representations of the hand to inform his drama. Providing an analysis of gesture, touch, skill and dismemberment in a range of Shakespeare's works, it shows how the hand was perceived in Shakespeare's time as an indicator of human agency, emotion, social and personal identity...read more
Hardcover:
9781474234276 | Bloomsbury Arden, April 21, 2016, cover price $112.00 | About this edition: This ground-breaking new book uncovers the way Shakespeare draws upon the available literature and visual representations of the hand to inform his drama.
Paperback:
9781474234269 | Bloomsbury Arden, April 21, 2016, cover price $34.95 | About this edition: This ground-breaking new book uncovers the way Shakespeare draws upon the available literature and visual representations of the hand to inform his drama.
Product Description: Shakespeare's company, the King's Men, played at the Globe, and also in an indoor theatre, the Blackfriars. The year 2014 witnessed the opening of the Sam Wanamaker Playhouse, based on seventeenth-century designs of an indoor London theatre and built within the precincts of the current Globe on Bankside...read more
Hardcover:
9781107040632 | Cambridge Univ Pr, April 30, 2014, cover price $99.99 | About this edition: Shakespeare's company, the King's Men, played at the Globe, and also in an indoor theatre, the Blackfriars.
Product Description: This original study examines how the plays of Shakespeare and his contemporaries dramatise the cultural preoccupation with cosmetics. Farah Karim-Cooper analyses contemporary tracts that address the then-contentious issue of cosmetic practice and identifies a 'culture of cosmetics', which finds its visual identity on the Renaissance stage...read more
Paperback:
9780748673339 | Reprint edition (Edinburgh Univ Pr, November 15, 2011), cover price $34.95 | About this edition: This original study examines how the plays of Shakespeare and his contemporaries dramatise the cultural preoccupation with cosmetics.
Presenting a study of cosmetic culture and its visual representation on the Renaissance stage, this book examines how the plays of Shakespeare and his contemporaries dramatize the cultural preoccupation with cosmetics. It analyzes the tracts that address the then contentious issue of cosmetic practice and identifies a 'culture of cosmetics'.
Hardcover:
9780748619931 | Edinburgh Univ Pr, July 1, 2007, cover price $47.95 | About this edition: Presenting a study of cosmetic culture and its visual representation on the Renaissance stage, this book examines how the plays of Shakespeare and his contemporaries dramatize the cultural preoccupation with cosmetics.
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