Product Description: Richard Hillman pursues his exploration of English tragedy in relation to France with a frank concentration on Shakespeare. Instead of focusing on common paradigms, he sets out to theorise more abstract tragic qualities (such as nostalgia, futility and heroism), but again with reference to specific French texts and contexts...read more

Product Description: Richard Hillman applies to tragic patterns and practices in early modern England his long-standing critical preoccupation with English-French cultural connections in the period. With primary, though not exclusive, reference on the English side to Shakespeare and Marlowe, and on the French side to a wide range of dramatic and non-dramatic material, he focuses on distinctive elements that emerge within the English tragedy of the 1590s and early 1600s...read more

Product Description: Taking a wide-ranging intertextual approach, Richard Hillman sets Early Modern English play-texts against political and cultural discourses concerning France, as these informed contemporary English consciousness. The English works explored go beyond those directly representing French affairs; the French examples include dramatic treatments of Joan of Arc and of the assassination of the Guises by Henri III...read more (view table of contents, read Amazon.com's description)

Product Description: During her lifetime, the gifted writer Marie le Jars de Gournay (1565-1645) was celebrated as one of the "seventy most famous women of all time" in Jean de la Forge's Circle of Learned Women (1663). The adopted daughter of Montaigne, as well as his editor, Gournay was a major literary force and a pioneering feminist voice during a tumultuous period in France...read more (view table of contents, read Amazon.com's description)

Product Description: Book by Hillman, Richard

These essays apply the postmodernist theory of intertextuality to romantic drama of the English Renaissance, including work by Heywood, Beaumont and Fletcher, Ford, and especially Shakespeare. Placing the plays into dynamic relation with a wide variety of literary, cultural, and political 'intertexts' causes them to signify in ways not previously appreciated, as well as to define neglected features of the staged romance of the period. Equally important is the development of intertextuality as a critical methodology with a particular affinity for the genre and the period.

Product Description: This book traces some intriguing manifestations of trickery and subversion across the entire Shakespearean canon introducing some radically unconventional interpretations of specific texts. By isolating a principle of subversiveness that cuts across the standard categories, Hillman relates disparate aspects of the plays, and delineates broad patterns of development...read more