Product Description: New York in the 1960s was a hotbed for progressive causes of every stripe, including women's liberation, civil rights, opposition to the Vietnam War--and the Cuban Revolution. Fighting over Fidel brings this turbulent cultural moment to life by telling the story of the New York intellectuals who championed and opposed Castro's revolution...read more

Product Description: The essays in this collection examine philosophical, religious, and literary or artistic texts using methodologies and insights that have grown out of reflection on literature and art. In them, them phrase "material spirit" becomes a point of departure for considering the continuing spectral effects of religious texts and concerns in ways that do not simply call for, or assume, new orrenewed forms of religiosity...read more

What is the effect of a 'nation'? In this age of globalization, is it dead, dying, only dormant? The essays in this groundbreaking volume use the arts in Mexico to move beyond the national and the global to look at the activity of a community continually re-creating itself within and beyond its own borders. Mexico is a particularly apt focus, partly because of the vitality of its culture, partly because of its changing political identity, and partly because of the impact of borders and borderlessness on its national character. The ten essays collected here look at a wide range of aesthetic productions especially literature and the visual arts that give context to how art and society interact.Steering a careful course between the nostalgia of nationalism and the insensitivity of globalism, these essays examine modernism and postmodernism in the Mexican setting. Individually, they explore the incorporation of historical icons, of vanguardism, and of international influence. From Diego Rivera to Elena Garro, from the Tlateloco massacre to the Chiapas rebellion, from mass-market fiction to the film "Aliens", the contributors view the many sides of Mexican life as relevant to the creation of a constantly shifting national culture. Taken together, the essays look both backward and forward at the evolving effect of the Mexican nation. Author note: Carl Good is Assistant Professor of Spanish at Emory University. John V. Waldron is an independent scholar living in Connecticut. (view table of contents)