Product Description: This book sets out to correct received accounts of the emergence of art history as a masculine field. It investigates the importance of female writers from Anna Jameson, Elizabeth Eastlake and George Eliot to Alice Meynell, Vernon Lee and Michael Field in developing a discourse of art notable for its complexity and cultural power, its increasing professionalism and reach, and its integration with other discourses of modernity...read more

Product Description: It is during the nineteenth-century, the age of machinery, that we begin to witness a sustained exploration of the literal and discursive entanglements of minds, bodies, machines. This book explores the impact of technology upon conceptions of language, consciousness, human cognition, and the boundaries between materialist and esoteric sciences...read more

Examining the important role played by the Victorian periodical in defining and refining gender roles during the second half of the nineteenth century, this study analyzes the periodical press in nineteenth-century culture. It considers issues of gender in the presses' development as a powerful political and social medium. The authors examine broad questions as they are explored in a range of periodicals, from literary and political reviews to comic magazines.

This study is an important contribution to the intellectual history of Victorian England which examines the religio-aesthetic theories of some central writers of the time. Dr Fraser begins with a discussion of the aesthetic dimensions of Tractarian theology and then proceeds to the orthodox certainties of Hopkins' theory of inscape, Ruskin's and Arnold's moralistic criticism of literature and the visual arts, and Pater's and Wilde's faith in a religion of art. The author identifies significant cultural and historical conditions which determined the interdependence of aesthetic and religious sensibility in the period. She argues that certain tensions in the thought of Wordsworth and Coleridge - tensions between poetry and religion, rebellion and reaction, individualism and authority - continued to manifest themselves throughout the Victorian age, and as society became increasingly democratic, religion in turn became increasingly personal and secular.

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Product Description: The book examines a wide range of Victorian literary, visual and historical representations of the Italian Renaissance. It looks at the High Renaissance poetic forms, such as the sonnet, by Victorian poets as diverse as Christina Rossetti and Coventry Patmore; at the poems and novels set in Renaissance Italy by writers such as Robert Browning and George Eliot; and at the different interpretations of the Renaissance put forward by cultural historians such as Ruskin, Pater and Symonds...read more