Product Description: In the Renaissance period the body emerges as the repository of social and cultural forces and a privileged metaphor for political practices and legal codification. Due to its ambivalent expressive force, it represents the seat and the means for the performance of normative identity and at the same time of alterity...read more

Product Description: Readings of Shakespeare were both influenced by and influential in the rise of Gothic forms in literature and culture from the late eighteenth century onwards. Shakespeare’s plays are full of ghosts, suspense, fear-inducing moments and cultural anxieties which many writers in the Gothic mode have since emulated, adapted and appropriated...read more

Product Description: When critical theory met literary studies in the 1970s and '80s, some of the most radical and exciting theoretical work centred on the quasi-sacred figure of Shakespeare. In Alternative Shakespeares, John Drakakis brought together key essays by founding figures in this movement to remake Shakespeare studies...read more (view table of contents, read Amazon.com's description)

Product Description: This series takes up the challenge of contemporary literary theory providing collections of seminal modern readings of key authors, genres and critical approaches. This volume brings together a range of work on aspects of Shakesperean Tragedy...read more

There has been little serious attempt in Britain to deal critically and historically with the subject of radio drama. This volume of essays concentrates upon a small group of influential writers who have devoted all or part of their attention to writing plays for radio. The introduction charts the development of radio drama since its inception in the 1920s and its changing relationships with the theatre and later with television. It shows how the early ideal of broadcasting significant works of established literature and drama helped to provide a broad foundation for the growth of a body of dramatic literature which fully exploited the medium's reliance upon sound alone. Separate contributions contain full appraisals of the radio writing of Louis MacNeice, Dylan Thomas and Henry Reed, while detailed studies of particular aspects of the work of Dorothy L. Sayers, Susan Hill, Giles Cooper and Samuel Beckett explore the practical as well as the critical issues involved in the study of radio drama.