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Elena Del Rio has written 2 work(s)
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Cover for 9781501303029 Cover for 9780748635252 Cover for 9780748649419
The Grace of Destruction: A Vital Ethology of Extreme Cinemas
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Product Description: For Elena del Río, extreme cinema is not only qualitatively different from the representations of violence we encounter in popular, mainstream cinema; it also constitutes a critique of the socio-moral system that produces (in every sense of the word) such violence...read more
By Elena Del Rio
See complete details on each edition (1 edition listed)

Hardcover:

9781501303029 | Bloomsbury USA Academic, May 5, 2016, cover price $120.00 | About this edition: For Elena del Río, extreme cinema is not only qualitatively different from the representations of violence we encounter in popular, mainstream cinema; it also constitutes a critique of the socio-moral system that produces (in every sense of the word) such violence.

Deleuze and the Cinemas of Performance: Powers of Affection
cover image for 9780748649419
Product Description: This book offers a unique reconsideration of the performing body that privileges the notion of affective force over the notion of visual form at the centre of former theories of spectacle and performativity. Drawing on Gilles Deleuze's philosophy of the body, and on Deleuze-Spinoza's relevant concepts of affect and expression, Elena del Río examines a kind of cinema that she calls 'affective-performative'...read more
By Elena Del Rio
See complete details on each edition (2 editions listed)

Hardcover:

9780748635252 | Edinburgh Univ Pr, February 1, 2009, cover price $130.00 | About this edition: This book offers a unique reconsideration of the performing body that privileges the notion of affective force over the notion of visual form at the centre of former theories of spectacle and performativity.

Paperback:

9780748649419 | Reprint edition (Edinburgh Univ Pr, May 31, 2012), cover price $39.95 | About this edition: This book offers a unique reconsideration of the performing body that privileges the notion of affective force over the notion of visual form at the centre of former theories of spectacle and performativity.

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