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Timothy Clifford has written 6 work(s)
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Paperback:
9781906270124 | Natl Galleries of Scotland, September 30, 2009, cover price $11.95
Product Description: Since taking the helm of the National Galleries of Scotland in 1984, Sir Timothy Clifford has overseen the acquisition of some of the finest, and best-loved works in the national collection. This book chronicles the development of the collection under his directorship and casts light upon the wide range of acquisitions, including the fascinating stories behind their purchase...read more
Paperback:
9781903278734 | 1 edition (Natl Galleries of Scotland, June 15, 2006), cover price $40.00 | About this edition: Since taking the helm of the National Galleries of Scotland in 1984, Sir Timothy Clifford has overseen the acquisition of some of the finest, and best-loved works in the national collection.
Product Description: Painting in Renaissance Venice represents one of the most vital chapters in the entire history of European art. Its enormous influence was due above all to the achievements of its dominant personality, Titian, the greatest of Venetian painters...read more
Hardcover:
9781903278536 | Natl Galleries of Scotland, January 1, 2005, cover price $75.00 | About this edition: Painting in Renaissance Venice represents one of the most vital chapters in the entire history of European art.
Hardcover:
9780903598002 | Gardners Books, January 1, 1999, cover price $42.40
Paperback:
9780903598835 | Natl Galleries of Scotland, September 1, 1998, cover price $50.00
Product Description: Antonio Canova (1757-1822) suffers not only from having been overlooked, but from the superabundance of praise, indeed outright worship that was meted out to him by his contemporaries and the majority of subsequent fellow-sculptors, connoiseurs, and aesthetics throughout the nineteenth century...read more
Paperback:
9780903598590 | Natl Galleries of Scotland, December 1, 1996, cover price $25.00 | About this edition: Antonio Canova (1757-1822) suffers not only from having been overlooked, but from the superabundance of praise, indeed outright worship that was meted out to him by his contemporaries and the majority of subsequent fellow-sculptors, connoiseurs, and aesthetics throughout the nineteenth century.
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