Product Description: Literature and philosophy have long shared an interest in questions of truth, value, and form. And yet, from ancient times to the present, they have often sharply diverged, both in their approach to these questions and in their relationship to one another...read more

Product Description: Malcolm Bull offers a detailed analysis of nihilism in Nietzsche's works. Along with accompanying commentaries by Cascardi and Clark, he explores the significance of Nietzscheís views given the fact that a wide range of readers have come to embrace his ideas as new orthodoxy...read more

Product Description: What is the role of literature in the formation of the state? Anthony J. Cascardi takes up this fundamental question in Cervantes, Literature, and the Discourse of Politics, a comprehensive analysis of the presence of politics in Don Quixote...read more

This is the first thorough study of Calderón in comparison with other important dramatists of the period: Lope de Vega and Tirso de Molina in Spain, Racine and Corneille in France, and Shakespeare and Marlowe in England. Cascardi studies Calderón's paradoxical engagement with illusion in its philosophical guise as scepticism. He shows on the one hand Calderón's moral will to reject illusion and on the other his theatrical need to embrace it. Cascardi discusses plays from every period to show how in Calderón's best work illusion is not rejected; instead, scepticism is absorbed. Calderón is placed in and defined against the philosophical line of Vives, Descartes, and Spinoza. Of central importance to this argument is Calderón's idea of theatre and the various transformations of that idea. This emphasis will give the book an additional interest to students, readers in philosophy and comparative literature.

This book is significant because it presents a complex and interesting investigation of desire and subject-formation as they manifest themselves in Spanish Golden Age literary production, and an account of Spain's particular intellectual trajectory as it entered the modern age.-Dian Fox, Brandeis UniversitySpain in the sixteenth and seventeenth centuries was in the throes of modernization arising from trade with the New World and the rise of an urban society. During this period, Spanish culture came to be dominated by the tension between an old regime of traditional values-honor, lineage, purity of blood-and these modernizing influences.Anthony J. Cascardi examines the literature of the Golden Age as the point at which tensions between the old and the new converged and proposes that this historical drama provided the context for subject-formation in early modern Spain. He examines how Spanish writers envisioned history and studies how these visions revealed or concealed contradictions between social values of their time, particularly between the value systems of caste and class.Ideologies of History in the Spanish Golden Age draws on recent theoretical paradigms in contemporary philosophy, psychoanalysis, political and social theory, and literary history to place Spain's major literary figures in challenging new contexts. By accounting for both modernizing desires and resistances to modernization, Cascardi provides readers interested in theories of ideology and history with a new way of looking at the literature of the Spanish Golden Age.

(view table of contents)

What is the relationship between contemporary intellectual culture and the European Enlightenment? In Consequences of Enlightenment, Anthony Cascardi revisits the arguments advanced in Horkheimer and Adorno's seminal work Dialectic of Enlightenment. Cascardi argues that postmodern culture does not reject Enlightenment beliefs and explores the link between aesthetics and politics in thinkers as diverse as Habermas, Derrida, Arendt, Nietzsche, Hegel and Wittgenstein. He reverses the tendency to see art simply in terms of the worldly practices among which it is situated. Aesthetic objects, he argues, are themselves capable of disclosing truth. (view table of contents)

The question of modernity has provoked a vigorous debate in the work of thinkers from Hegel to Habermas. Our own self-styled postmodern age has seen no end to this debate, which now receives a major and wide-ranging intervention from the theorist and critic Anthony J. Cascardi. Offering an historical account of the origins and transformations of the rational subject or self as it is represented in Descartes, Cervantes, Pascal, Hobbes and the Don Juan myth, he carries his argument across the fields of epistemology, literature, political science, religion and psychology. The modern subject proves to be positioned within conflicting discourses, in a culture characterised by its 'detotalised totality'. Max Weber's concept of 'world disenchantment' enables Cascardi to make a searching critique of modernity's sense of its absoluteness, divorced from an archaic, 'enchanted' world. He advocates in its place a more fruitful relationship between historical analysis and theoretical speculation, offering constructive new alternatives to current orthodoxy regarding subjectivity and modernity. (view table of contents)

Product Description: A distinguished group of authors reflects on problems currently enlivening the space shared by philosophy and literary theory in a series of chapters that range in scope from Plato to postmodernism.

Product Description: PLEASE NOTE: Previous owner's name written on first, and last blank page. See my pictures I have posted above. ISBN: 0231062125. ***The bounds of Reason: Cervantes, Dostoevsky, and Flauber*** by Anthony J. Cascardi. (1986 Columbia University Press, New York).