The chairwoman of Yale University's African and African American Studies department explores the changing images and definitions of Black masculinity in the writings and music of major Black cultural figures and their relationsip to the treatment of women (view table of contents)

Product Description: For a decade and a half, since she first appeared in the Birmingham Centre’s collective volume The Empire Strikes Back, Hazel Carby has been on the frontline of the debate over multicultural education in Britain and the US. This book brings together her most important and influential essays, ranging over such topics as the necessity for racially diverse school curricula, the construction of literary canons, Zora Neale Hurston’s portraits of “the Folk,” C...read more (view table of contents, read Amazon.com's description)

Product Description: For a decade and a half, since she first appeared in the Birmingham Centre’s collective volume The Empire Strikes Back, Hazel Carby has been on the frontline of the debate over multicultural education in Britain and the US. This book brings together her most important and influential essays, ranging over such topics as the necessity for racially diverse school curricula, the construction of literary canons, Zora Neale Hurston’s portraits of “the Folk,” C...read more

This cultural history of nineteenth-century narratives of slave and free women traces the ways in which these writings began to resist dominant literary conventions and to offer the first alternative versions of black womanhood. Covering the period between the 1850s and the turn of the century, it depicts an era of intense cultural and political activity when Afro-American women first began to emerge as novelists. Why black women wrote novels, and what they thought novels could do, are among the questions discussed. Students of American literature and of black history; women's studies.