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Janet Catherine Berlo has written 14 work(s)
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Cover for 9780192842664 Cover for 9780192842183 Cover for 9780373226375 Cover for 9780977834471 Cover for 9780130300041 Cover for 9780803213180 Cover for 9780803262232 Cover for 9780295983097 Cover for 9780935573312 Cover for 9780807614655 Cover for 9780810937420 Cover for 9781885444028 Cover for 9780824072650 Cover for 9780292777149 Cover for 9780884022053 Cover for 9780774804332 Cover for 9780137562305 Cover for 9780884021759
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Product Description: Michael Blackheart is a cat burglar. Duncan Cullen is an ex-CIA agent. They are as different as night and day, but share a goal--obtaining a private art collection being auctioned off for millions. Neither man imagines the dark world they are about to enter in these intertwined stories...read more

Hardcover:

9780192842664 | Oxford Univ Pr, December 24, 1998, cover price $39.95

Paperback:

9780373226375, titled "Night and Day" | Harlequin Books, November 1, 2001, cover price $4.50 | also contains Native North American Art, Night and Day | About this edition: Michael Blackheart is a cat burglar.
9780192842183 | Oxford Univ Pr, November 19, 1998, cover price $27.95

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By Jose Bedia (contributor), Janet Catherine Berlo, Judith Bettelheim, Lauren Derby (contributor), Orlando Hernandez (contributor) and Alan Varela (contributor)

Paperback:

9780977834471 | Univ of Washington Pr, November 14, 2011, cover price $35.00

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Product Description: In the middle of a successful academic career, art historian Janet Catherine Berlo found herself literally at a loss for words. A severe case of writer’s block forced her to abandon a book manuscript midstream; she found herself quilting instead...read more

Hardcover:

9780803213180 | Univ of Nebraska Pr, April 1, 2001, cover price $20.00 | About this edition: The art historian narrates the 18-month period she dedicated to quilting to overcome writer's block, and describes how she learned to enjoy the process of creating rather than focusing on the finished product.

Paperback:

9780803262232 | Bison Books, April 1, 2004, cover price $12.95 | About this edition: In the middle of a successful academic career, art historian Janet Catherine Berlo found herself literally at a loss for words.

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Explores the two-hundred-year aesthetic and social history of improvisational and asymmetrical quilts in America, providing a richly illustrated overview of Amish, African-American, and modern art quilts and their various patterns and motifs. (view table of contents)

Paperback:

9780295983097 | Univ of Washington Pr, June 1, 2003, cover price $35.00 | About this edition: Explores the two-hundred-year aesthetic and social history of improvisational and asymmetrical quilts in America, providing a richly illustrated overview of Amish, African-American, and modern art quilts and their various patterns and motifs.

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The art of Black Hawk is revived here, including the seventy-six images he drew in the 1880s detailing the religion and culture of the Lakota Souix.

Hardcover:

9780807614655 | George Braziller, January 1, 2001, cover price $65.00 | About this edition: Presents seventy-six images Black Hawk drew in the 1880s, detailing the culture and religion of the Lakota Sioux.

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Looks at drawings in Indian ledger books, depicting traditional dances and war losses, and includes scholarly commentary

Hardcover:

9780810937420, titled "Plains Indian Drawings 1865-1935: Pages from a Visual History" | Harry N Abrams Inc, October 1, 1996, cover price $65.00 | About this edition: Looks at drawings in Indian ledger books, depicting traditional dances and war losses, and includes scholarly commentary

Paperback:

9781885444028 | Harry N Abrams Inc, June 1, 1996, cover price $10.01 | About this edition: Looks at drawings in Indian ledger books, depicting traditional dances and war losses, and includes scholarly commentary

cover image for 9780292777149
'Chapters provide detailed information on manufacturing (spinning, weaving, dyeing, decorating); communicative significance (ethnicity, identity, tradition, rank, geographic origin); and marketing and commercialization among contemporary groups of indigenous descent'--Handbook of Latin American Studies, v. 57.http://www.loc.gov/hlas/ (view table of contents)

Hardcover:

9780824072650 | Taylor & Francis, October 1, 1991, cover price $55.00

Paperback:

9780292777149 | Reprint edition (Univ of Texas Pr, October 1, 1996), cover price $47.50 | About this edition: 'Chapters provide detailed information on manufacturing (spinning, weaving, dyeing, decorating); communicative significance (ethnicity, identity, tradition, rank, geographic origin); and marketing and commercialization among contemporary groups of indigenous descent'--Handbook of Latin American Studies, v.
9780756781187 | Diane Pub Co, July 30, 1991, cover price $20.00 | About this edition: In this volume, anthropologists, art historians, fiber artists, and technologists come together to explore the meanings, uses, and fabrication of textiles in Mexico, Guatemala, Ecuador, Peru, and Bolivia from Precolumbian times to the present.

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Product Description: The field of Native American art history, and our idea of what comprises Indian art itself, were molded largely by policies of the museums and institutions that established their ethnological collections in the second half of the nineteenth century...read more (view table of contents, read Amazon.com's description)

Hardcover:

9780756751838 | Diane Pub Co, September 1, 1992, cover price $25.00 | About this edition: The field of Native American art history, and our idea of what comprises Indian art itself, were molded largely by policies of the museums and institutions that established their ethnological collections in the second half of the nineteenth century.
9780295972022, titled "The Early Years of Native American Art History: The Politics of Scholarship and Collecting" | Univ of Washington Pr, September 1, 1992, cover price $30.00
9780774804332 | Univ of British Columbia Pr, September 1, 1992, cover price $50.95 | About this edition: The field of Native American art history, and our idea of what comprises Indian art itself, were molded largely by policies of the museums and institutions that established their ethnological collections in the second half of the nineteenth century.

displaying 1 to 14 | at end