Skinheads. Drug dealers. Cops. For two brothers-of-circumstance navigating the violent streets of this industrial wasteland, every urban tribe is a potential threat. Yet it is amongst the denizens of these unforgiving alleys, dangerous squat houses, and underground nightclubs that the brothers - and the small street tribe to which they belong - forge the bonds that will see them through senseless minor cruelties, the slow and constant grind of poverty, and savage boot culture violence. Friendship. Understanding. Affinity. For two brothers, these fragile ties are the only hope they have for salvation in the wake of a mutual girlfriend's suicide, an event so devastating that it drives one to seek solace far from his steel city roots, and the other to a tragic - yet miraculous - transformation, a heartbreaking metamorphosis from poet and musician to street prophet, emerging from a self-imposed cocoon an urban shaman, mad-eyed shaper of (t)ruthless reality. What We Salvage is a reckless, gritty, and unapologetic journey, a novel that seizes the poignant fragility of Catcher in the Rye and throws it into a merciless world reminiscent of A Clockwork Orange. It is a work that author James Morrow dubbed "postmodern punk," a term that befits Baillie's poetry-as-street-prose style.