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By
Stephen Melville (contributor),
Philippe Davet (editor),
Andrea Miller-Keller (contributor) and
Marc Blondeau (editor)
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Jump down to see edition details for: Paperback
Bibliographic Detail
Publisher
Jrp Ringier Kunstverlag Ag
Publication date
March 1, 2008
Pages
91
Binding
Paperback
Book category
Adult Non-Fiction
ISBN-13
9783905829037
ISBN-10
3905829037
Dimensions
0.50 by 9.75 by 9.75 in.
Weight
1.28 lbs.
Published in
Europe
Original list price
$25.00
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Louise Lawler
Summaries and Reviews
Amazon.com description: Product Description: Louise Lawler focuses her camera on high art and its spaces, from the rarefied white cube to the windowless storeroom, from the collector’s luxurious bedroom to the featureless boardroom. Part institutional critique, part social commentary and part wandering gaze, Lawler’s glossy photographs redirect the viewer’s attention from the artworks to their environs, exposing a set of supple relationships surrounding the presentation and marketing of art and its role in conferring and reflecting power. Lawler’s emphasis on context as a defining factor in the assignment of an object’s value throws her own sumptuous photographs into a state of eloquent suspension. In 1984, Lawler was granted access to the homes of visionary collectors Burton and Emily Tremaine, and she has since tracked the works she photographed there as they have wended their way through museums and auction houses. With texts by Stephen Melville and Andrea Miller-Keller, this publication gathers almost all the Tremaine Pictures produced between 1984 and 2007.
Editions
Paperback
The price comparison is for this edition
from Jrp Ringier Kunstverlag Ag (March 1, 2008)
9783905829037 | details & prices | 91 pages | 9.75 × 9.75 × 0.50 in. | 1.28 lbs | List price $25.00
About: Louise Lawler focuses her camera on high art and its spaces, from the rarefied white cube to the windowless storeroom, from the collector’s luxurious bedroom to the featureless boardroom.
About: Louise Lawler focuses her camera on high art and its spaces, from the rarefied white cube to the windowless storeroom, from the collector’s luxurious bedroom to the featureless boardroom.
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