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Making and Transforming Art: Technology and Interpretation: Proceedings of the Fifth Symposium of the ICOM-CC Working Group for Art Technological Source Research
By
Joyce H. Townsend (editor),
Jilleen Nadolny (editor),
HâlÅ ne Dubois (editor),
Sigrid Eyb-Green (editor) and
Sylvie Neven (editor)
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Bibliographic Detail
Publisher
Antique Collectors Club Ltd
Publication date
January 26, 2015
Pages
148
Binding
Paperback
Book category
Adult Non-Fiction
ISBN-13
9781909492165
ISBN-10
1909492167
Dimensions
0.25 by 8 by 11.25 in.
Weight
1.30 lbs.
Published in
Great Britain
Original list price
$80.00
Summaries and Reviews
Amazon.com description: Product Description:
The papers in this volume, presented at the Royal Institute of Cultural Heritage (KIK-IRPA) in Brussels in November 2012, cover a wide range of works of art, periods, sources and approaches, from Dioscorides to contemporary artists' installations. The theme of the conference is reflected in studies such as Tingely's explosive Homage to New York, the evolutions and transformations of harpsichords in France in the seventeenth and eighteenth centuries, the art of wax anatomical models in Spain, or neo-gothic polychromies. The confrontation of source research with experimental reconstruction and analysis are illustrated in the study of anthocyanin colorants in Medieval European illuminators workshop or of tempera paint around 1900. Research on artist's materials, such as vermillion, zinc white or turpentine, refers to patents, inventories, diaries and chronicles. The interpretation and transmission of sources is central to several papers. Innovative databases on Art Technological Sources are also presented.
The papers in this volume, presented at the Royal Institute of Cultural Heritage (KIK-IRPA) in Brussels in November 2012, cover a wide range of works of art, periods, sources and approaches, from Dioscorides to contemporary artists' installations. The theme of the conference is reflected in studies such as Tingely's explosive Homage to New York, the evolutions and transformations of harpsichords in France in the seventeenth and eighteenth centuries, the art of wax anatomical models in Spain, or neo-gothic polychromies. The confrontation of source research with experimental reconstruction and analysis are illustrated in the study of anthocyanin colorants in Medieval European illuminators workshop or of tempera paint around 1900. Research on artist's materials, such as vermillion, zinc white or turpentine, refers to patents, inventories, diaries and chronicles. The interpretation and transmission of sources is central to several papers. Innovative databases on Art Technological Sources are also presented.
Editions
Paperback
The price comparison is for this edition
from Antique Collectors Club Ltd (January 26, 2015)
9781909492165 | details & prices | 148 pages | 8.00 × 11.25 × 0.25 in. | 1.30 lbs | List price $80.00
About: The papers in this volume, presented at the Royal Institute of Cultural Heritage (KIK-IRPA) in Brussels in November 2012, cover a wide range of works of art, periods, sources and approaches, from Dioscorides to contemporary artists' installations.
About: The papers in this volume, presented at the Royal Institute of Cultural Heritage (KIK-IRPA) in Brussels in November 2012, cover a wide range of works of art, periods, sources and approaches, from Dioscorides to contemporary artists' installations.
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