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Jump down to see edition details for: Hardcover
Bibliographic Detail
Publisher
Perseus Distribution Services
Publication date
September 30, 2006
Pages
127
Binding
Hardcover
Edition
1
Book category
Adult Non-Fiction
ISBN-13
9781858943435
ISBN-10
1858943434
Dimensions
0.75 by 9 by 10.25 in.
Weight
2 lbs.
Availability§
Out of Print
Published in
Great Britain
Original list price
$29.95
§As reported by publisher
Amazon.com says people who bought this book also bought:
A History of American Tonalism: Crucible of American Modernism | Marsden Hartley's Maine | Cézanne Portraits | George Inness and the Visionary Landscape | Degas Landscapes | The Private Collection of Edgar Degas
A History of American Tonalism: Crucible of American Modernism | Marsden Hartley's Maine | Cézanne Portraits | George Inness and the Visionary Landscape | Degas Landscapes | The Private Collection of Edgar Degas
Summaries and Reviews
Amazon.com description: Product Description: Edgar Degas is regarded, above all, as a painter of the human figure and of city life, and yet both his early notebooks and the practice of his later years attest to his consistent interest in landscape painting. In tracing Degas’s response to landscape, including, most notably, his visits to the small resort of Saint-Valéry-sur-Somme, in Picardy, and in closely analysing his painterly practice, this book cogently reassesses the importance of landscape painting to his career. By revealing Degas’s little-known love of this genre, it challenges our assumptions about one of the giants of Impressionist art.
Editions
Hardcover
The price comparison is for this edition
1 edition from Perseus Distribution Services (September 30, 2006)
9781858943435 | details & prices | 127 pages | 9.00 × 10.25 × 0.75 in. | 2.00 lbs | List price $29.95
About: Edgar Degas is regarded, above all, as a painter of the human figure and of city life, and yet both his early notebooks and the practice of his later years attest to his consistent interest in landscape painting.
About: Edgar Degas is regarded, above all, as a painter of the human figure and of city life, and yet both his early notebooks and the practice of his later years attest to his consistent interest in landscape painting.
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