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The Originality of the Avant-Garde and Other Modernist Myths | The Return of the Real | Art in Theory 1900-2000 | Art Since 1900 | The Field of Cultural Production | Critical Terms for Art History | The Anti-Aesthetic | Art After Modernism | Art Since 1900
For the past few decades Hal Fosterâs critical gaze has encompassed the increasingly complex machinery of the culture industry. His observations push the boundaries of cultural criticism to establish a vantage point from which the seemingly disparate agendas of artists, patrons, and critics have a telling coherence. Recodings has become the classic âprimer in poststructuralist debateâ (Village Voice). The essays present a constellation of concerns about the limits and myths of postmodernism, the uses and abuses of historicism, the connections of recent art and architecture with media spectacle and institutional power, and the transformations of the avant garde and of cultural politics generally.
About: For the past few decades Hal Fosterâs critical gaze has encompassed the increasingly complex machinery of the culture industry.
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