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Bibliographic Detail
Publisher
Fordham Univ Pr
Publication date
November 2, 2015
Pages
256
Binding
Paperback
Book category
Adult Non-Fiction
ISBN-13
9780823268672
ISBN-10
0823268675
Dimensions
0.50 by 6 by 9 in.
Weight
0.84 lbs.
Original list price
$29.95
Other format details
university press
Amazon.com says people who bought this book also bought:
Other Minds | Notes Toward a Performative Theory of Assembly | The Hatred of Poetry | Bleak Liberalism | The Work of Difference | The Limits of Critique | Modernity's Mist | Theory of the Lyric | The Birth of Theory
Other Minds | Notes Toward a Performative Theory of Assembly | The Hatred of Poetry | Bleak Liberalism | The Work of Difference | The Limits of Critique | Modernity's Mist | Theory of the Lyric | The Birth of Theory
Summaries and Reviews
Amazon.com description: Product Description: This book examines the affinity between "theory" and "deconstruction" that developed in the American academy in the 1970s by way of the "Yale Critics": Harold Bloom, Paul de Man, Geoffrey Hartman, and J. Hillis Miller, sometimes joined by the French philosopher Jacques Derrida.
With this semi-fictional collective, theory became a media event, first in the academy and then in the wider print media, in and through its phantasmatic link with deconstruction and with "Yale." The important role played by aesthetic humanism in American pedagogical discourse provides a context for understanding theory as an aesthetic scandal, and an examination of the ways in which de Man's work challenges aesthetic pieties helps us understand why, by the 1980s, he above all had come to personify "theory."
Combining a broad account of the "Yale Critics" phenomenon with a series of careful re-examinations of the event of theory, Redfield traces the threat posed by language's unreliability and inhumanity in chapters on lyric, on Hartman's representation of the Wordsworthian imagination, on Bloom's early theory of influence in the 1970s together with his later media reinvention as the genius of the Western Canon, and on John Guillory's influential attempt to interpret de Manian theory as a symptom of literature's increasing marginality. A final chapter examines Mark Tansey's paintings "Derrida Queries de Man" and "Constructing the Grand Canyon", works that offer subtle, complex reflections on the peculiar event of theory as-deconstruction in America.
With this semi-fictional collective, theory became a media event, first in the academy and then in the wider print media, in and through its phantasmatic link with deconstruction and with "Yale." The important role played by aesthetic humanism in American pedagogical discourse provides a context for understanding theory as an aesthetic scandal, and an examination of the ways in which de Man's work challenges aesthetic pieties helps us understand why, by the 1980s, he above all had come to personify "theory."
Combining a broad account of the "Yale Critics" phenomenon with a series of careful re-examinations of the event of theory, Redfield traces the threat posed by language's unreliability and inhumanity in chapters on lyric, on Hartman's representation of the Wordsworthian imagination, on Bloom's early theory of influence in the 1970s together with his later media reinvention as the genius of the Western Canon, and on John Guillory's influential attempt to interpret de Manian theory as a symptom of literature's increasing marginality. A final chapter examines Mark Tansey's paintings "Derrida Queries de Man" and "Constructing the Grand Canyon", works that offer subtle, complex reflections on the peculiar event of theory as-deconstruction in America.
Editions
Hardcover
from Fordham Univ Pr (November 2, 2015)
9780823268665 | details & prices | 256 pages | 6.50 × 9.50 × 1.00 in. | 1.10 lbs | List price $95.00
About: This book examines the affinity between "theory" and "deconstruction" that developed in the American academy in the 1970s by way of the "Yale Critics": Harold Bloom, Paul de Man, Geoffrey Hartman, and J.
About: This book examines the affinity between "theory" and "deconstruction" that developed in the American academy in the 1970s by way of the "Yale Critics": Harold Bloom, Paul de Man, Geoffrey Hartman, and J.
Paperback
The price comparison is for this edition
from Fordham Univ Pr (November 2, 2015)
9780823268672 | details & prices | 256 pages | 6.00 × 9.00 × 0.50 in. | 0.84 lbs | List price $29.95
About: This book examines the affinity between "theory" and "deconstruction" that developed in the American academy in the 1970s by way of the "Yale Critics": Harold Bloom, Paul de Man, Geoffrey Hartman, and J.
About: This book examines the affinity between "theory" and "deconstruction" that developed in the American academy in the 1970s by way of the "Yale Critics": Harold Bloom, Paul de Man, Geoffrey Hartman, and J.
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