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Dillard counterbalances his meditative forays with comic excursions into forbidden territory, including a major poem on flatulence--an ode to bran; three appreciations in verse of fellow writer's work; a barbed academic memo to a dim colleague; and, audaciously, a textbook anthologist's brief history of American poetry based on the mistaken premise that all the poets were Chinese-American acrobats ("The Flying Changs").
SALLIES' daring manifests in complex rhyme patterns, unrhymed verse, concrete and found poems, and a closing set of poems complimenting a young woman (Sallie) in the tradition of Dante's poems to Beatrice and drawing together the themes and stylistic variety of the entire book in a celebration of, in Emerson's words, the "open hours/ When the God's will sallies free": "By chance (or some higher plan) someone arrives / Just when we need them, shows us the way / From the window's ledge or to the open door, / Helps us to find ourselves....and more."
About: Darting into the unknown as only best poetry safely can, R.
About: Darting into the unknown as only the best poetry safely can, R.
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