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The Muses
By
Peggy Kamuf (trans) and
Jean-Luc Nancy
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Bibliographic Detail
Publisher
Stanford Univ Pr
Publication date
September 1, 1996
Binding
Paperback
Book category
Adult Non-Fiction
ISBN-13
9780804727815
ISBN-10
0804727813
Dimensions
0.50 by 5.75 by 8.75 in.
Weight
0.35 lbs.
Original list price
$25.95
Other format details
university press
Amazon.com says people who bought this book also bought:
The Ground of the Image | The Politics of Aesthetics | Poetry, Language, Thought | The Future of the Image | The Sense of the World | Philosophy of New Music | Multiple Arts
The Ground of the Image | The Politics of Aesthetics | Poetry, Language, Thought | The Future of the Image | The Sense of the World | Philosophy of New Music | Multiple Arts
Summaries and Reviews
(view table of contents)
Amazon.com description: Product Description: This book by one of the most challenging contemporary thinkers begins with an essay that introduces the principal concern sustained in the four succeeding ones Why are there several arts and not just one This question focuses on the point of maximal tension between the philosophical tradition and contemporary thinking about the arts the relation between the plurality of the human senses to which the plurality of the arts has most frequently been referred and sense or meaning in general Throughout the five essays Nancy s argument hinges on the culminating formulation of this relation in Hegel s Aesthetics and The Phenomenology of Spirit art as the sensible presentation of the Idea Demonstrating once again his renowned ability as a reader of Hegel Nancy scrupulously and generously restores Hegel s historical argument concerning art as a thing of the past as that which is negated by the dialectic of Spirit in the passage from aesthetic religion to revealed religion to philosophy
Editions
Hardcover
from Stanford Univ Pr (September 1, 1996)
9780804727808 | details & prices | 118 pages | 5.75 × 9.00 × 0.25 in. | 0.70 lbs | List price $50.00
Paperback
The price comparison is for this edition
from Stanford Univ Pr (September 1, 1996)
9780804727815 | details & prices | 5.75 × 8.75 × 0.50 in. | 0.35 lbs | List price $25.95
About: This book by one of the most challenging contemporary thinkers begins with an essay that introduces the principal concern sustained in the four succeeding ones Why are there several arts and not just one This question focuses on the point of maximal tension between the philosophical tradition and contemporary thinking about the arts the relation between the plurality of the human senses to which the plurality of the arts has most frequently been referred and sense or meaning in general Throughout the five essays Nancy s argument hinges on the culminating formulation of this relation in Hegel s Aesthetics and The Phenomenology of Spirit art as the sensible presentation of the Idea Demonstrating once again his renowned ability as a reader of Hegel Nancy scrupulously and generously restores Hegel s historical argument concerning art as a thing of the past as that which is negated by the dialectic of Spirit in the passage from aesthetic religion to revealed religion to philosophy
About: This book by one of the most challenging contemporary thinkers begins with an essay that introduces the principal concern sustained in the four succeeding ones Why are there several arts and not just one This question focuses on the point of maximal tension between the philosophical tradition and contemporary thinking about the arts the relation between the plurality of the human senses to which the plurality of the arts has most frequently been referred and sense or meaning in general Throughout the five essays Nancy s argument hinges on the culminating formulation of this relation in Hegel s Aesthetics and The Phenomenology of Spirit art as the sensible presentation of the Idea Demonstrating once again his renowned ability as a reader of Hegel Nancy scrupulously and generously restores Hegel s historical argument concerning art as a thing of the past as that which is negated by the dialectic of Spirit in the passage from aesthetic religion to revealed religion to philosophy
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