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By
Peter Vergo
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Bibliographic Detail
Publisher
Phaidon Inc Ltd
Publication date
January 9, 2012
Pages
367
Binding
Paperback
Book category
Adult Non-Fiction
ISBN-13
9780714863863
ISBN-10
0714863866
Dimensions
1.25 by 7 by 9.75 in.
Weight
1.90 lbs.
Original list price
$39.95
Amazon.com says people who bought this book also bought:
Our Heads Are Round So Our Thoughts Can Change Direction | Kandinsky, Complete Writings on Art | Concerning the Spiritual in Art | Pedagogical Sketchbook | The Art of Music | Paul Klee | Visual Music | The Sound of Painting | That Divine Order
Our Heads Are Round So Our Thoughts Can Change Direction | Kandinsky, Complete Writings on Art | Concerning the Spiritual in Art | Pedagogical Sketchbook | The Art of Music | Paul Klee | Visual Music | The Sound of Painting | That Divine Order
Summaries and Reviews
Amazon.com description: Product Description: Composers and artists have always borrowed from each other. Peter Vergo, for the first time, offers an in-depth study of how and why, in the modernist era, music and painting became intertwined. Artist-composer relationships examined include Debussy's interest in Whistler, Tuner, and Monet, Franz Liszt's fascination with Raphael and Michelangelo, Kandinsky with Schoenberg and Paul Klee's influence from Polyphonic music. How artists attempted to translate musical rhythms, and structures into painting and how musicians developed visual themes, all within the backdrop to modernism, as time of huge change in freedoms, industry, expression, ideological frameworks, and artistic practice.
Editions
Hardcover
from Phaidon Inc Ltd (November 22, 2010)
9780714857626 | details & prices | 367 pages | 7.00 × 10.25 × 1.25 in. | 2.40 lbs | List price $69.95
Paperback
The price comparison is for this edition
from Phaidon Inc Ltd (January 9, 2012); titled "The Music of Painting: Music, Modernism and the Visual Arts from the Romantics to John Cage"
9780714863863 | details & prices | 367 pages | 7.00 × 9.75 × 1.25 in. | 1.90 lbs | List price $39.95
About: Composers and artists have always borrowed from each other.
About: Composers and artists have always borrowed from each other.
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