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The Widening Circle: Consequences of Modernism in Contemporary Art
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Bibliographic Detail
Publisher
Cambridge Univ Pr
Publication date
June 1, 1997
Binding
Paperback
Book category
Adult Non-Fiction
ISBN-13
9780521565691
ISBN-10
0521565693
Dimensions
0.75 by 6.25 by 9 in.
Weight
1.05 lbs.
Original list price
$44.99
Other format details
university press
Summaries and Reviews
(view table of contents)
Amazon.com description: Product Description: In this collection of critical essays the well-known critic Barry Schwabsky reexamines the art produced since the 1960s, demonstrating how the achievements of "high modernism" remain consequential to it, through tensions among representation, abstraction, and pictorial language. With the core of the book focused on Michelangelo Pistoletto and Mel Bochner, Schwabsky also studies the work of emerging artists who also continue to examine modernism's legacies.
Editions
Hardcover
from Cambridge Univ Pr (June 1, 1997)
9780521562829 | details & prices | 230 pages | 6.50 × 9.50 × 1.00 in. | 1.45 lbs | List price $65.00
About: In this collection of critical essays the well-known critic Barry Schwabsky reexamines the art produced since the 1960s, demonstrating how the achievements of "high modernism" remain consequential to it, through tensions among representation, abstraction, and pictorial language.
About: In this collection of critical essays the well-known critic Barry Schwabsky reexamines the art produced since the 1960s, demonstrating how the achievements of "high modernism" remain consequential to it, through tensions among representation, abstraction, and pictorial language.
Paperback
The price comparison is for this edition
from Cambridge Univ Pr (June 1, 1997)
9780521565691 | details & prices | 6.25 × 9.00 × 0.75 in. | 1.05 lbs | List price $44.99
About: In this collection of critical essays the well-known critic Barry Schwabsky reexamines the art produced since the 1960s, demonstrating how the achievements of "high modernism" remain consequential to it, through tensions among representation, abstraction, and pictorial language.
About: In this collection of critical essays the well-known critic Barry Schwabsky reexamines the art produced since the 1960s, demonstrating how the achievements of "high modernism" remain consequential to it, through tensions among representation, abstraction, and pictorial language.
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