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By
Lauren Kroiz
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Jump down to see edition details for: Hardcover
Bibliographic Detail
Publisher
Univ of California Pr
Publication date
September 6, 2012
Pages
267
Binding
Hardcover
Book category
Adult Non-Fiction
ISBN-13
9780520272491
ISBN-10
0520272498
Dimensions
1 by 7 by 10 in.
Weight
1 lbs.
Original list price
$49.95
Other format details
university press
Amazon.com says people who bought this book also bought:
Women Artists | Photography and the Art of Chance | Tender Violence | Subject to Display | The Miracle of Analogy | Racial Indigestion | Little White Houses | The Indian Craze | The Color of Stone
Women Artists | Photography and the Art of Chance | Tender Violence | Subject to Display | The Miracle of Analogy | Racial Indigestion | Little White Houses | The Indian Craze | The Color of Stone
Summaries and Reviews
Amazon.com description: Product Description:
In turn-of-the-century New York, the photographer and modern art impresario Alfred Stieglitz and his allies embraced a racialized aesthetic discourse in their expressions of identity in the modern era. This book examines the often-neglected role played by immigrant artists and critics in the Stieglitz circle, including Japanese-German author Sadakichi Hartmann, Mexican-born caricaturist Marius de Zayas and English Sri-Lankan curator Ananda Coomaraswamy, as well as better-known U.S.-born painters, including Arthur Dove and Georgia OâKeeffe. Creative Composites argues for a new understanding of early American modernism as a Âcomposite modernism.â It analyzes episodes in the Stieglitz circleâs use of diverse new media  photography, caricature, film, and collage  to frame their modernist practice as part of the ongoing national dilemma of integrating difference.
Editions
Hardcover
The price comparison is for this edition
from Univ of California Pr (September 6, 2012)
9780520272491 | details & prices | 267 pages | 7.00 × 10.00 × 1.00 in. | 1.95 lbs | List price $49.95
About: In turn-of-the-century New York, the photographer and modern art impresario Alfred Stieglitz and his allies embraced a racialized aesthetic discourse in their expressions of identity in the modern era.
About: In turn-of-the-century New York, the photographer and modern art impresario Alfred Stieglitz and his allies embraced a racialized aesthetic discourse in their expressions of identity in the modern era.
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