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Critical Terms for Art History
By Robert S. Nelson (editor) and Richard Shiff (editor)
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Bibliographic Detail
Publisher Univ of Chicago Pr
Publication date March 1, 2003
Pages 519
Binding Hardcover
Edition 2
Book category Adult Non-Fiction
ISBN-13 9780226571669
ISBN-10 0226571661
Dimensions 1.50 by 6.75 by 9.50 in.
Weight 2.50 lbs.
Availability§ Publisher Out of Stock Indefinitely
Original list price $101.00
Other format details university press
§As reported by publisher
Summaries and Reviews
Amazon.com description: Product Description:
"Art" has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp's Fountain. But questions about the categories of "art" and "art history" acquired increased urgency during the 1970s, when new developments in critical theory and other intellectual projects dramatically transformed the discipline. The first edition of Critical Terms for Art History both mapped and contributed to those transformations, offering a spirited reassessment of the field's methods and terminology.

Art history as a field has kept pace with debates over globalization and other social and political issues in recent years, making a second edition of this book not just timely, but crucial. Like its predecessor, this new edition consists of essays that cover a wide variety of "loaded" terms in the history of art, from sign to meaning, ritual to commodity. Each essay explains and comments on a single term, discussing the issues the term raises and putting the term into practice as an interpretive framework for a specific work of art. For example, Richard Shiff discusses "Originality" in Vija Celmins's To Fix the Image in Memory, a work made of eleven pairs of stones, each consisting of one "original" stone and one painted bronze replica.

In addition to the twenty-two original essays, this edition includes nine new ones—performance, style, memory/monument, body, beauty, ugliness, identity, visual culture/visual studies, and social history of art—as well as new introductory material. All help expand the book's scope while retaining its central goal of stimulating discussion of theoretical issues in art history and making that discussion accessible to both beginning students and senior scholars.

Contributors: Mark Antliff, Nina Athanassoglou-Kallmyer, Stephen Bann, Homi K. Bhabha, Suzanne Preston Blier, Michael Camille, David Carrier, Craig Clunas, Whitney Davis, Jas Elsner, Ivan Gaskell, Ann Gibson, Charles Harrison, James D. Herbert, Amelia Jones, Wolfgang Kemp, Joseph Leo Koerner, Patricia Leighten, Paul Mattick Jr., Richard Meyer, W. J. T. Mitchell, Robert S. Nelson, Margaret Olin, William Pietz, Alex Potts, Donald Preziosi, Lisbet Rausing, Richard Shiff, Terry Smith, Kristine Stiles, David Summers, Paul Wood, James E. Young


Editions
Hardcover
Book cover for 9780226571669
 
The price comparison is for this edition
2 edition from Univ of Chicago Pr (March 1, 2003)
9780226571669 | details & prices | 519 pages | 6.75 × 9.50 × 1.50 in. | 2.50 lbs | List price $101.00
About: "Art" has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp's Fountain.
from Univ of Chicago Pr (July 1, 1996)
9780226571645 | details & prices | 364 pages | 7.00 × 9.75 × 1.25 in. | 1.90 lbs | List price $48.00
About: The nature of the visual has, over the past decade, moved to the center of debates in the humanities.
Paperback
Book cover for 9780070578685 Book cover for 9780226571652 Book cover for 9780226571683
 
2 edition from Univ of Chicago Pr (May 1, 2003)
9780226571683 | details & prices | 519 pages | 6.50 × 9.25 × 1.25 in. | 2.15 lbs | List price $35.00
from Univ of Chicago Pr (October 1, 1996)
9780226571652 | details & prices | 6.75 × 9.50 × 1.00 in. | 1.55 lbs | List price $24.00
With Joachim Schult | from McGraw-Hill (June 1, 1994); titled "Running Aground and Getting Afloat"
9780070578685 | details & prices | List price $18.50
This edition also contains Running Aground and Getting Afloat

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