search for books and compare prices
By
Patrik N. Juslin and
John A. Sloboda
Price
Store
Arrives
Preparing
Shipping
Jump quickly to results on these stores:
The price is the lowest for any condition, which may be new or used; other conditions may also be available.
Jump down to see edition details for: Hardcover
Bibliographic Detail
Publisher
Oxford Univ Pr
Publication date
February 22, 2010
Pages
975
Binding
Hardcover
Book category
Adult Non-Fiction
ISBN-13
9780199230143
ISBN-10
0199230145
Dimensions
2.25 by 6.75 by 9.75 in.
Weight
3.55 lbs.
Availability§
Out of Print
Published in
Great Britain
Original list price
$115.00
§As reported by publisher
Amazon.com says people who bought this book also bought:
Why You Love Music: From Mozart to Metallica--The Emotional Power of Beautiful Sounds | The Music Instinct | A Million Years of Music | The Psychology of Music | Emotion and Meaning in Music | The Oxford Handbook of Music Psychology | Psychological Foundations of Musical Behavior | Sweet Anticipation
Why You Love Music: From Mozart to Metallica--The Emotional Power of Beautiful Sounds | The Music Instinct | A Million Years of Music | The Psychology of Music | Emotion and Meaning in Music | The Oxford Handbook of Music Psychology | Psychological Foundations of Musical Behavior | Sweet Anticipation
Summaries and Reviews
Amazon.com description: Product Description: Music's ability to express and arouse emotions is a mystery that has fascinated both experts and laymen at least since ancient Greece. The predecessor to this book, Motion and Emotion (OUP, 2001) was critically and commercially successful and stimulated much further work in this area. In the years since the publication of that book, empirical research in this area has blossomed, and the successor to Music and Emotion reflects the considerable activity in this area.
The Handbook of Music and Emotion offers an 'up-to-date' account of this vibrant domain. It provides comprehensive coverage of the many approaches that may be said to define the field of music and emotion, in all its breadth and depth. The first section offers multi-disciplinary perspectives on musical emotions from philosophy, musicology, psychology, neurobiology, anthropology, and sociology. The second section features methodologically-oriented chapters on the measurement of emotions via different channels (e.g., self report, psychophysiology, neuroimaging). Sections three and four address how emotion enters into different aspects of musical behavior, both the making of music and its consumption. Section five covers developmental, personality, and social factors. Section six describes the most important applications involving the relationship between music and emotion. In a final commentary, the editors comment on the history of the field, summarize the current state of affairs, as well as propose future directions for the field.
The only book of its kind, the Handbook of Music and Emotion will fascinate music psychologists, musicologists, music educators, philosophers, and others with an interest in music and emotion (e.g. in marketing, health, engineering, film, and the game industry). It will be a valuable resource for established researchers in the field, a developmental aid for early-career researchers and postgraduate research students, and a compendium to assist students at various levels. In addition, as with its predecessor, it will also interest from practicing musicians and lay readers fascinated by music and emotion.
The Handbook of Music and Emotion offers an 'up-to-date' account of this vibrant domain. It provides comprehensive coverage of the many approaches that may be said to define the field of music and emotion, in all its breadth and depth. The first section offers multi-disciplinary perspectives on musical emotions from philosophy, musicology, psychology, neurobiology, anthropology, and sociology. The second section features methodologically-oriented chapters on the measurement of emotions via different channels (e.g., self report, psychophysiology, neuroimaging). Sections three and four address how emotion enters into different aspects of musical behavior, both the making of music and its consumption. Section five covers developmental, personality, and social factors. Section six describes the most important applications involving the relationship between music and emotion. In a final commentary, the editors comment on the history of the field, summarize the current state of affairs, as well as propose future directions for the field.
The only book of its kind, the Handbook of Music and Emotion will fascinate music psychologists, musicologists, music educators, philosophers, and others with an interest in music and emotion (e.g. in marketing, health, engineering, film, and the game industry). It will be a valuable resource for established researchers in the field, a developmental aid for early-career researchers and postgraduate research students, and a compendium to assist students at various levels. In addition, as with its predecessor, it will also interest from practicing musicians and lay readers fascinated by music and emotion.
Editions
Hardcover
The price comparison is for this edition
from Oxford Univ Pr (February 22, 2010)
9780199230143 | details & prices | 975 pages | 6.75 × 9.75 × 2.25 in. | 3.55 lbs | List price $115.00
About: Music's ability to express and arouse emotions is a mystery that has fascinated both experts and laymen at least since ancient Greece.
About: Music's ability to express and arouse emotions is a mystery that has fascinated both experts and laymen at least since ancient Greece.
Pricing is shown for items sent to or within the U.S., excluding shipping and tax. Please consult the store to determine exact fees. No warranties are made express or implied about the accuracy, timeliness, merit, or value of the information provided. Information subject to change without notice. isbn.nu is not a bookseller, just an information source.