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Tables of Contents for The Conspiracy of Allusion
Chapter/Section Title
Page #
Page Count
Preface
xi
 
Introduction
1
12
Macrobius in the High Middle Ages
13
23
Macrobius's Contextual Environment in the Middle Ages
15
18
Manuscripts
16
4
Library Catalogues
20
3
Anthologies, Florilegia, and libri manuales
23
2
References to the Saturnalia
25
8
Appendix: Saturnalia Manuscripts to the Early Thirteenth Century
33
3
Macrobius on the Art and Modes of Description
36
1
The Description of Erec's Coronation Robe
36
43
Ethos and Pathos in Description
38
4
Description in Latin, with Special Reference to Macrobius
42
7
The Descriptive Model as Archetype: Imitation and Emulation
49
2
The Saturnalia's Writing Program
51
4
A Model for Original Description
55
21
Author and Writer (auctor-imitator): The Agents of Description
56
4
From Mutuatio to Mutatio: The Stages in Description
60
6
Invention (inventio)
66
1
Reordering (ordo)
67
4
The Four Species of Mutatio
71
2
Small Units of Discourse
73
3
Reception
76
3
Bridge Works in and between the Medieval Latin and Vernacular Traditions
79
42
Description as Rewriting from Macrobius to the High Medieval Commentaries on Horace
81
6
Medieval Models of Description
87
6
Description in Classroom Compositions
93
4
Twelfth-Century Commentaries on Horace's Art of Poetry
97
5
Bridge Works in Medieval Poetics
102
3
Description as Topical Invention
105
1
Imitation and Allusion in the French Tradition
106
8
French versus Latin Rewriting
114
7
Troy in Latin and French: Joseph of Exeter's Ylias and Benoit de Sainte-Maure's Roman de Troie
121
50
Description in Joseph's Ylias
122
23
First Author and Rewriter (auctor-imitator)
128
1
Selection (mutuatio)
129
2
Adaptation (mutatio)
131
13
Implied Audiences
144
1
Description in Benoit's Troie
145
26
First Author and Rewriter (auctor-imitator)
150
3
Selection (mutuatio)
153
2
Adaptation (mutatio)
155
14
Implied Audiences
169
2
The Issue and Topics of Consent in Eneas, Erec, and the Bel Inconnu
171
42
Consent as a Moral and Social Issue in Gradus amoris
172
3
The Description of Consent in Gradus amoris
175
38
Description of Consent in the Eneas
181
14
Description of Consent in Chretien de Troyes's Erec et Enide
195
7
Description of Consent in Renaut de Beaujeu's Bel Inconnu
202
11
New Modes of Description in Romance Narrative
213
44
Insertions
213
9
From Lyric Insertion to Narrative Investment
222
2
Lyric Insertions in the Narrative of Gerbert de Montreuil's Violette
224
4
Lyric Insertions and Narrative in Jakames's Chatelain de Couci et Dame de Fayel
228
14
Narrative Description of Lyric Pieces in Jean Renart's Rose or Guillaume de Dole
242
12
The New Mode of Writing Romance
254
3
Conclusion
257
4
Bibliography
261
32
Primary works
261
4
Secondary works
265
28
Indices
Index of Titles
293
6
Index of Names
299
7
Index of Places
306
1
Index of Subjects
307