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Tables of Contents for The Dramatic Encounter of Divine and Human Freedom
Chapter/Section Title
Page #
Page Count
Introduction
13
10
Part One The Presuppositions for a Consideration of the Encounter of Divine and Human Freedom as Dramatic
23
90
Chapter One The General Perspective
23
36
1.1 Intersubjectivity
23
2
1.2 The Dispute with Rahner
25
12
1.3 Intersubjectivity and God's Transcendence
37
4
1.4 Freedom in the Context of Interpersonal Relationship
41
10
1.5 The Mother-Child Paradigm
51
6
1.6 Conclusion
57
2
Chapter Two Freedom in the Context of the Analogy of Being
59
42
2.1 Balthasar's Return to the Whole
59
3
2.2 The Use of Analogy in Theology
62
2
2.3 Excursus: Historical Sketch and Terms
64
4
2.4 Divine and Human Freedom in the Context of Balthasar's Analogy of Proportionality
68
7
2.5 Jesus Christ as the analogia entis in Person
75
4
2.6 Analogy of Proportionality between Christ and the Christian
79
3
2.7 Balthasar's View of Karl Barth's Theological Analogy
82
15
2.8 Conclusion
97
4
Chapter Three Freedom in Balthasar's Theology of Beauty
101
12
3.1 A Theology in the Light of the Third Transcendental
101
1
3.2 Faith and Freedom in the Theological Aesthetics
102
3
3.3 Rapture and Freedom in the Theological Aesthetics
105
1
3.4 The Form of Forms as Event of Freedom
106
3
3.5 Conclusion
109
4
Part Two The Dramatic Encounter of Divine and Human Freedom
113
114
Chapter Four Theological Dramatics
113
16
4.1 Introduction
113
3
4.2 The Perspective
116
2
4.3 Author, Actor, Director
118
5
4.4 Presentation, Audience, Horizon
123
4
4.5 Conclusion
127
2
Chapter Five The Economy of Salvation as God's Drama
129
32
5.1 A Drama performed for the Benefit of Human Freedom
129
5
5.2 Human Freedom and Evil
134
7
5.3 The Cross and Sin
141
10
5.4 The Possibility of Substitution
151
4
5.5 Dramatic Freedom in the Economy
155
4
5.6 Conclusion
159
2
Chapter Six The Original Drama of the Immanent Trinity
161
34
6.1 An Eternal Drama
161
1
6.2 The Cross and the Trinity
162
9
6.3 Contrast with Hegel, Moltmann and Rahner
171
1
6.3.1 Hegel
171
8
6.3.2 Moltmann
179
4
6.3.3 Rahner
183
3
6.4 Divine Freedom and the Possibility of Surprise in God
186
6
6.5 Conclusion
192
3
Chapter Seven The Encounter of Divine and Human Freedom in Balthasar's Theodramatic Eschatology
195
20
7.1 The Idea of the World
195
3
7.2 Being `Gathered In'
198
2
7.3 Beatific Vision or Dramatic Mutual Encounter?
200
6
7.4 Can God Receive from Worldly Freedom?
206
5
7.5 The Incarnate Son as `the Way'
211
2
7.6 Conclusion
213
2
Chapter Eight Freedom and Mission
215
12
8.1 Freedom lived as Readiness
215
1
8.2 The Unity of Procession and Mission
216
3
8.3 Contemplation or Action?
219
3
8.4 Freedom, Mission and Personhood
222
1
8.5 Conclusion
223
4
Part Three The Possibility of a Dialogue with Social Theology
227
60
Chapter Nine Liberation and Balthasar's Eschatological Vision
227
26
9.1 Balthasar's View of Liberation Theology
227
10
9.2 Hope as a Principle of Social Transformation?
237
9
9.3 The Liberation of Freedom
246
4
9.4 Conclusion
250
3
Chapter Ten The Freedom of the Individual: A Lack of Social Drama in Balthasar's Dramatics
253
34
10.1 A Neglect of History?
253
10
10.2 An Emphasis on the Freedom of the Individual
263
8
10.3 The Preservation in the Dramatics of the Analogy of Proportionality
271
6
10.4 A `Christological Restriction' in Balthasar
277
8
10.5 Conclusion
285
2
General Conclusions
287
6
Bibliography
293
20
Index of Names
313