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Tables of Contents for Paik Video
Chapter/Section Title
Page #
Page Count
PREFACE
VII
I Introduction
8
11
II The Beginning of Video Art
19
43
1. The Electronic Picture
19
5
2. From Electronic Music to Electronic TV
24
6
3. Sound Becomes Image
30
3
4. The Exhibition Exposition of Music--Electronic Television
33
8
5. Wolf Vostell
41
21
III The Video Installations
62
85
1. Participation TV
62
6
2. Minimal Video
68
4
3. Video Projection
72
2
4. Tautology as a Principle: The Closed-Circuit Installations
74
20
5. The Multi-Monitor Installations
94
29
6. Humanized Technology: The Video Objects Made for Charlotte Moorman
123
24
IV The Videotapes
147
39
1. Expanded Cinema or Expanded Television?
147
5
2. The Paik/Abe-Synthesizer
152
4
3. The Videotapes
156
13
4. Light and Shadow: Video in Relation to Film
169
5
5. Good Morning, Mr. Orwell
174
12
V Paik in Theory
186
11
1. The Fluxus Past
186
2
2. The Constructivist Tradition
188
2
3. The Video-Environment: Visual Music
190
7
BIOGRAPHY
197
3
DOCUMENTS
200
6
VIDEO INSTALLATIONS AND SELECTED VIDEOTAPES
206
12
1. Chronological Overview
206
2
2. Catalog Raisonne
208
10
BIBLIOGRAPHY
218
16
INDEX OF NAMES
234
5
INDEX OF SUBJECTS
239
3
ABOUT THE AUTHOR
242