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Tables of Contents for The Other Side of Nowhere
Chapter/Section Title
Page #
Page Count
Preface
xi
Ingrid Monson
Acknowledgments
xv
The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue
1
44
Daniel Fischlin
Ajay Heble
Part One: Performers Improvise
A Composition on Improvisation
45
5
Michael Snow
Harmonic Anatomy: Women in Improvisation
50
21
Pauline Oliveros
``Navigable Structures and Transforming Mirrors'': Improvisation and Interactivity
71
16
Dana Reason
Part Two: Between and Across Cultures
Transmissions of an Interculture: Pan-African Jazz and Intercultural Improvisation
87
44
Jason Stanyek
Improvised Music After 1950: Afrological and Eurological Perspectives
131
32
George E. Lewis
Afterword to ``Improvised Music after 1950'': The Changing Same
163
10
George E. Lewis
Improvising in a Different Clave: Steve Coleman and AfroCuba de Matanzas
173
22
Michael Dessen
Part Three: Social Practice and Identity
``. . . A Way Out of No Way'': Jazz, Hip-Hop, and Black Social Improvisation
195
29
Mark Anthony Neal
Playing like a Girl: The Queer Laughter of the Feminist Improvising Group
224
20
Julie Dawn Smith
Bordering on Community: Improvising Women Improvising Women-in-Jazz
244
24
Sherrie Tucker
Improvising Character: Jazz, the Actor, and Protocols of Improvisation
268
30
Marshall Soules
Improvisation and Imitation: Marlon Brando as Jazz Actor
298
21
Krin Gabbard
Cutting Sides: Jazz Record Producers and Improvisation
319
34
Michael Jarrett
Part Four: Collaborative Dissonances
The Discourse of a Dysfunctional Drummer: Collaborative Dissonances, Improvisation, and Cultural Theory
353
14
Eddie Prevost
Paracritical Hinge
367
20
Nathaniel Mackey
Out of Nowhere: Meditations on Deleuzian Music, Anti-Cadential Strategies, and Endpoints in Improvisation
387
10
John Corbett
Toward Further Dialogue: A Bibliography on Improvisation
397
20
Daniel Fischlin
Ajay Heble
Benjamin Lefebvre
List of Contributors
417
6
Index
423