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Tables of Contents for Perspectives on the Grateful Dead
Rebecca G. Adams
Robert G. Weiner
Precisely How and Why I Didn't Kill Jerry: Ethnography, Surrealism, and The Millennium Shows
Philip E. Baruth
A Pilot Study in Dream Telepathy with the Grateful Dead
Legally Dead: The Grateful Dead and American Legal Culture
The Grateful Dead Onstage in "World Music"
Thomas Vennum, Jr.
"No, but I've Been to Shows": Accepting the Dead and Rejecting the Deadheads
David L. Pelovitz
Why Are There So Many Jewish Deadheads?
Douglas M. Gertner
Bakhtinian Carnival, Corporate Capital, and the Last Decade of the Dead
Brad E. Lucas
Understanding "Show" as a Deadhead Speech Situation
Is There a Day of the Month Effect in "Beat It On Down the Line"?
Robert K. Toutkoushian
The Grateful Dead Experience: A Factor Analytic Study of the Personalities of People Who Identify with the Grateful Dead
"High Time" and Ambiguous Harmonic Function
Space, Motion, and Other Musical Metaphors
The Grateful Dead Legendstock: Based on Alan Trist's Water of Life-A Tale of the Grateful Dead
Marjorie C. Luesebrink
The Grateful Dead vs. the American Dream?
The Annotated "Ramble on Rose": An Installment in The Annotated Grateful Dead Lyrics (a work in progress)
"Laid My Proposition Down / Laid It on the Line": Gambling and the Storyteller in Robert Hunter's Lyrics
Grateful Dead: Manifestations from the Collective Unconscious
Clinging to the Edge of Magic: Shamanic Aspects of the Grateful Dead
The Grateful Dead as Community
Deadhead Tales of the Supernatural: A Folkloristic Analysis
The Piping of Heaven: Reckless Musings on Philosophical Taoism and the Grateful Dead Phenomenon
Joseph P. Noonan III
The Ripple Effect
Afterword: The Curriculum of Joy
About the Editor and Contributors