Sarah Grand was one of the most prominent New Women of the 1890s and a notable social purity feminist and suffragist. This collection offers important insights into the full range of her journalistic output and lesser-known fictional writings. It also makes available biographical and autobiographical material, and previously unpublished manuscript sources.The first volume reproduces Grand's articles and the contemporary critical reception of her work. The letters in volume two, written mostly in the 1920s and 1930s, shed light on Grand's genesis as a writer and her interaction with 1890s artistic and feminist circles. The third and fourth volumes contain a selection of short stories from three collections published at and after the turn of the century. These comment on some of the explosive issues of that time: feminism, decadence, eugenics, class, race and war. They also reflect Grand's exploration of the interplay between gender and genre.

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Shevelow shows how popular journals between 1690 and 1760 at once solicited women as subscribers and contributors, whilst also attempting to regulate their conduct through the promotion of exemplary feminine types. This book should be of interest to students and teachers of cultural studies and literature.

Product Description: Shevelow shows how popular journals between 1690 and 1760 at once solicited women as subscribers and contributors, whilst also attempting to regulate their conduct through the promotion of exemplary feminine types. This book should be of interest to students and teachers of cultural studies and literature...read more

Product Description: This genealogy of the 'odd woman' compares representations of spinsters, lesbians and widows in British women's fiction and auto/biography from the 1850s to the 1930s.Women outside heterosexual marriage in this period were seen as abnormal, superfluous, incomplete and threatening, yet were also hailed as 'women of the future'...read more

Product Description: Murder fascinates readers, and when a woman murders, that fascination is compounded. The paradox of mother, lover, or wife as killer fills us with shock. A woman's violence is unexpected, unacceptable. Yet killing an abusive man can make her a cultural heroine...read more

This collection of essays focuses attention on a number of Victorian women writers popular in their own time but forgotten or neglected by literary history, from Margaret Oliphant and Charlotte Yonge to Mary Ward, Marie Corelli, "Ouida" and E. Nesbit. Particular emphasis is given to writings concerned with "the woman question." Discussions of marriage, matriarchy and divorce, satire, suffragette writing, writing for children, and links between literature and art illuminate the complex cultural and literary roles, and the engaging contributions, of Victorian women writers.