Understanding Greek Tragic Theatre, a revised edition of Greek Tragic Theatre (1992), is intended for those interested in how Greek tragedy works. By analysing the way the plays were performed in fifth-century Athens, Rush Rehm encourages classicists, actors, and directors to approach Greek tragedy by considering its original context. Emphasizing the political nature of tragedy as a theatre of, by, and for the polis, Rehm characterizes Athens as a performance culture, one in which the theatre stood alongside other public forums as a place to confront matters of import and moment. In treating the various social, religious and practical aspects of tragic production, he shows how these elements promoted a vision of the theatre as integral to the life of the city – a theatre whose focus was on the audience. The second half of the book examines four exemplary plays, Aeschylus’ Oresteia trilogy, Sophocles’ Oedipus Tyrannus, and Euripides’ Suppliant Women and Ion. Without ignoring the scholarly tradition, Rehm focuses on how each tragedy unfolds in performance, generating different relationships between the characters (and chorus) on stage and the audience in the theatre.

Product Description: In this updated and extended edition of The Greek Sense of Theatre, scholar and practitioner J.Michael Walton revises and expands his visual approach to the theatre of classical Athens. From the tragedies of Aeschylus, Sophocles and Euripides to the old and new comedies of Aristophanes and Menander, he argues that while Greek drama is seen now as a performance-based rather than a strictly literary medium, more attention should still be paid to the nature of stage image and masked acting as part of this conception...read more

Product Description: In Stagecraft in Euripides, first published in 1985, Professor Michael Halleran examines certain aspects of the dramaturgy of the most extensively preserved Attic tragedian. Although the ancient dramatic texts do not contain performance directions, they do imply stage actions...read more

Mary Doria Russell, the bestselling, award-winning author of The Sparrow, returns with Epitaph. An American Iliad, this richly detailed and meticulously researched historical novel continues the story she began in Doc, following Wyatt Earp and Doc Holliday to Tombstone, Arizona, and to the gunfight at the O.K. Corral.A deeply divided nation. Vicious politics. A shamelessly partisan media. A president loathed by half the populace. Smuggling and gang warfare along the Mexican border. Armed citizens willing to stand their ground and take law into their own hands. . . . That was America in 1881.All those forces came to bear on the afternoon of October 26 when Doc Holliday and the Earp brothers faced off against the Clantons and the McLaurys in Tombstone, Arizona. It should have been a simple misdemeanor arrest. Thirty seconds and thirty bullets later, three officers were wounded and three citizens lay dead in the dirt.Wyatt Earp was the last man standing, the only one unscathed. The lies began before the smoke cleared, but the gunfight at the O.K. Corral would soon become central to American beliefs about the Old West.Epitaph tells Wyatt's real story, unearthing the Homeric tragedy buried under 130 years of mythology, misrepresentation, and sheer indifference to fact. Epic and intimate, this novel gives voice to the real men and women whose lives were changed forever by those fatal thirty seconds in Tombstone. At its heart is the woman behind the myth: Josephine Sarah Marcus, who loved Wyatt Earp for forty-nine years and who carefully chipped away at the truth until she had crafted the heroic legend that would become the epitaph her husband deserved.

Oliver Taplin's seminal study was revolutionary in drawing out the significance of stage action in Greek tragedy at a time when plays were often read purely as texts, rather than understood as performances.Professor Taplin explores nine plays, including Aeschylus' agamemnon and Sophocles' Oedipus the King. The details of theatrical techniques and stage directions, used by playwrights to highlight key moments, are drawn out and related to the meaning of each play as a whole. With extensive translated quotations, the essential unity of action and speech in Greek tragedy is demonstrated.Now firmly established as a classic text, Greek Tragedy in Action is even more relevant today, when performances of Greek tragedies and plays inspired by them have had such an extraordinary revival around the world.

Product Description: Alan Hughes presents a new complete account of production methods in Greek comedy. The book summarizes contemporary research and disputes, on such topics as acting techniques, theater buildings, masks and costumes, music and the chorus...read more

Product Description: Actors and Icons of the Ancient Theater examines actors and their popular reception from the origins of theater in Classical Greece to the Roman Empire Presents a highly original viewpoint into several new and contested fields of study Offers the first systematic survey of evidence for the spread of theater outside Athens and the impact of the expansion of theater upon actors and dramatic literature Addresses a study of the privatization of theater and reveals how it was driven by political interests Challenges preconceived notions about theater history...read more

Product Description: In recent years, classicists have begun aggressively to explore the impact of performance on the ways in which Greek and Roman plays are constructed and appreciated, both in their original performance context and in reperformances down to the present day...read more

Product Description: This book offers the first attempt at understanding interpersonal violence in ancient Athens. While the archaic desire for revenge persisted into the classical period, it was channeled by the civil discourse of the democracy. Performances such as the staging of trials and comedies ritually defined the meaning of violence and its appropriate application...read more

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Product Description: This is the first comprehensive and illustrated study of the most important form of theatre in the entire Roman Empire - pantomime, the ancient equivalent of ballet dancing. Performed for more than five centuries in hundreds of theatres from Portugal in the West to the Euphrates, from Gaul to North Africa, solo male dancing stars - the forerunners of Nijinsky, Nureyev, and Baryshnikov - stunned audiences with their erotic costumes, subtlety of gesture, and dazzling athleticism...read more

Product Description: An exciting series that provides students with direct access to the ancient world by offering new translations of extracts from its key texts. This book offers a valuable guide to Greek theatre. It presents a broad selection of key ancient sources, both visual and literary, about all aspects of performance - including actors, masks, stage props and choral dancing - as well as scenes from the plays themselves that offer insights into their staging, plots, and reception...read more

Product Description: Pantomimes first appeared in Rome around 22 BC, under the reign of emperor Augustus. These actors, solo dancers accompanied by a chorus and an orchestra, mimed major mythological events and continued to fascinate the public for the remaining six centuries of the Roman empire...read more

Product Description: Contemporary productions on stage and film, and the development of theater studies, continue to draw new audiences to ancient Greek drama. With observations on all aspects of performance, this volume fills their need for a clear, concise account of what is known about the original conditions of such productions in the age of Pericles...read more

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Product Description: What is the nature of theatre's uneasy alliance with literature? Should theatre be viewed as a preliterate, ritualistic phenomenon that can only be compromised by writing? Or should theatre be grouped with other literary arts as essentially "textual," with even physical performance subsumed under the aegis of textuality? Jennifer Wise, a theatre historian and drama theorist who is also an actor, director, and designer, responds with a challenging and convincing reconstruction of the historical context from which Western theatre first emerged...read more (view table of contents, read Amazon.com's description)