Product Description: This is the incredible true story of Sarah Emma Edmonds, who dressed as a man and fought in the Civil War. When she was 19, Sarah cut her hair, donned her brother’s clothes, and fled from Canada, where her father wanted her to marry an elderly gentleman...read more

Product Description: Alphonso Wetmore wanted adventure. He lost his arm in battle in the War of 1812, but he did not give up. He stayed in the army and joined an expedition down the Missouri River. He traveled to Mexico as a trader on the Santa Fe Trail, and he visited California...read more

Product Description: Ten true stories of real-life war heroes from Iraq!Five times throughout a fierce firefight, Marine Scout Sniper Scott Montoya spots an injured comrade in the street. And five times Scott disregards his own safety and rushes out into the open, braving enemy fire to rescue each wounded Marine...read more

Product Description: For members of the U.S. military, the call to arms is a great honor and a solemn duty. Defending their country takes strength, determination, and an uncommon amount of courage. Throughout American history, members of the Army, Navy, Air Force, and Marines have faced life and death on countless battlefields...read more

Product Description: John Wesley Powell spent two summers in Colorado preparing to lead the first exploration of the Grand Canyon by a non-Native American. While in Colorado, he climbed Longs Peak, Mount Lincoln, and Pikes Peak. His bravery was underscored by the fact he had only one arm...read more

During the 1930s and 1940s, women artists associated with the Surrealist movement produced a significant body of self-images that have no equivalent among the works of their male colleagues. While male artists exalted Woman's otherness in fetishized images, women artists explored their own subjective worlds. The self-images of Claude Cahun, Dorothea Tanning, Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, Kay Sage, and others both internalize and challenge conventions for representing femininity, the female body, and female subjectivity. Many of the representational strategies employed by these pioneers continue to resonate in the work of contemporary women artists. The words "Surrealist" and "surrealism" appear frequently in discussions of such contemporary artists as Louise Bourgeois, Ana Mendieta, Cindy Sherman, Francesca Woodman, Kiki Smith, Dorothy Cross, Michiko Kon, and Paula Santiago.This book, which accompanies an exhibition organized by the MIT List Visual Arts Center, explores specific aspects of the relationship between historic and contemporary work in the context of Surrealism. The contributors reexamine art historical assumptions about gender, identity, and intergenerational legacies within modernist and postmodernist frameworks. Questions raised include: how did women in both groups draw from their experiences of gender and sexuality? What do contemporary artistic practices involving the use of body images owe to the earlier examples of both female and male Surrealists? What is the relationship between self-image and self- knowledge?Contributors : Dawn Ades, Whitney Chadwick, Salomon Grimberg, Katy Kline, Helaine Posner, Susan Rubin Suleiman, Dickran Tashjian.

Product Description: On October 25, 2007, U.S. Army Specialist Salvatore Giunta and his platoon were on a nighttime mission in northeastern Afghanistan. Suddenly, Taliban fighters ambushed the Americans, and bullets were flying everywhere. Several of Specialist Giunta's fellow soldiers were struck by fire and seriously wounded...read more

Product Description: Zebulon Pike, the son of a Revolutionary War major, joined the army when he was 15 years old. After the Louisiana Purchase, Pike was sent to explore the Mississippi River in 1805. The Pike Expedition continued west from Missouri and Kansas into present day Colorado and New Mexico...read more

Recounts the life of Revolutionary War hero Nathan Hale, whose decision to become a spy for General George Washington cost him his life.

Product Description: During the 1930s and 1940s, women artists associated with the Surrealist movement produced a significant body of self-images that have no equivalent among the works of their male colleagues. While male artists exalted Woman's otherness in fetishized images, women artists explored their own subjective worlds...read more