Product Description: The years between roughly 1760 and 1810, a period stretching from the rise of Joseph Haydn’s career to the height of Ludwig van Beethoven’s, are often viewed as a golden age for musical culture, when audiences started to revel in the sounds of the concert hall...read more

Product Description: Bach to Brahms presents current analytic views on the traditional tonal repertoire, with essays on works by Bach, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, and Brahms. The fifteen essays, written by well-established scholars of this repertoire, are divided into three groups, two of which focus primarily on elements of musical design (formal, metric, and tonal organization) and voice leading at multiple levels of structure...read more

Product Description: The eighteenth century arguably boasts a more remarkable group of significant musical figures, and a more engaging combination of genres, styles and aesthetic orientations than any century before or since, yet huge swathes of its musical activity remain under-appreciated...read more

Product Description: Integrating Schenkerian tools and an innovative approach to harmony, David Damschroder provides numerous penetrating analyses of works by Haydn and Mozart. A series of introductory chapters assist readers in developing their analytical capacity...read more

Product Description: A concise anthology including a wide range of Baroque music.Anthology for Music in the Baroque, part of the Western Music in Context series, is the ideal companion to Music in the Baroque. Twenty-six carefully chosen works―including a lute song by John Dowland, a cantata by Barbara Strozzi, and selections from J...read more

Music of the Baroque, Third Edition, and its accompanying anthology of scores offer a vivid introduction to European music from 1600 through 1750. Integrating historical and cultural context with composer biography, music analysis, and performance practice, the text surveys Baroque music while analyzing in depth more than thirty works from the principal traditions of the period. It also places special emphasis on the evolution of instruments and performance practices, showing how the period shaped them into what we know today. Organized by chronology and genre, the third edition expands the discussion of social and cultural issues through new sidebars on women in music, gender and the castrato voice, the relationship of music to ethnicity and colonialism, and other key areas of study. Also new are contemporary perspectives, including writings by composers Caccini and Couperin and critics Artusi, Scheibe, and Burney.Visit the companion website at www.oup.com/us/schulenberg for a discography of the scores included in the anthology (with links to online recordings), sample worksheets, and supplementary musical scores

Product Description: This volume brings together twenty-two of the most diverse and stimulating journal articles on classical and romantic performing practice, representing a rich vein of enquiry into epochs of music still very much at the forefront of current concert repertoire...read more

Product Description: Claudio Monteverdi is now recognized as the towering figure of a critical transitional moment of Western music history: relentless innovator in every genre within chamber, church and theatre music; self-proclaimed leader of a 'new dispensation' between words and their musical expression; perhaps even 'Creator of Modern Music'...read more

Product Description: Our knowledge of music of the Baroque era has been transformed in recent decades, not least because of the revolution in performing styles and techniques. This series dedicates a volume to each of the central composers - Monteverdi, Purcell, Vivaldi, J...read more

Giorgio Pestelli examines one of the crucial periods of musical history, from the middle of the eighteenth century to the era of Beethoven. This was a time of great cultural, technical and social changes. The free professional composer, in direct contact with the wide musical public, replaced the dependent court musician. Instrumental music became the centre of new developments, and sonata form, the cornerstone of nineteenth-century musical architecture, dominated its language. With the decrease in private patronage came the birth of the public concert; there was a vast increase in music publishing, and important developments were made in instrumental techniques, the dominant feature being the rise of the piano. Standing out from this common background are three major figures; Haydn, Mozart and Beethoven, whose specific characteristics are discussed in detail, along with their links with many other musicians. Dr Pestelli also emphasizes general lines of development: the galant style, the passion for antiquity and curiosity for the exotic, the debate over 'literary' opera, the Sturm und Drang movement, the influence of the French Revolution and the Restoration, and the origins of romanticism. The originality of the book arises from the fact that it views the music against the background of social, political, philosophical and cultural trends of the time, rather than relying on detailed analyses of specific works. (view table of contents)

Product Description: The Description for this book, The Corded Shell: Reflections on Musical Expression, will be forthcoming.