Product Description: To understand why the concept of aesthetic sexuality is important, we must consider the influence of the first volume of Foucault's seminal The History of Sexuality. Arguing against Foucault's assertions that only scientia sexualis has operated in modern Western culture while ars erotica belongs to Eastern and ancient societies, Byrne suggests that modern Western culture has indeed witnessed a form of ars erotica, encompassed in what she calls 'aesthetic sexuality'...read more

American Impersonal brings together some of the most influential scholars now working in American literature to explore the impact of one of America's leading literary critics: Sharon Cameron. It engages directly with certain arguments that Cameron has articulated throughout her career, most notably her late work on the question of impersonality. In doing so, it provides responses to questions fundamental to literary criticism, such as: the nature of personhood; the logic of subjectivity in depersonalized communities; the question of the human within the problematic of the impersonal; how impersonality relates to the "posthuman."Additionally, some essays respond to the current "aesthetic turn" in literary scholarship and engage with the lyric, currently much debated, as well as the larger questions of poetics and the logic of genre.These crucial issues are addressed from the perspective of an American literary and philosophical tradition, and progress chronologically, starting from Melville and Emerson and moving via Dickinson, Thoreau and Hawthorne to Henry James and Wallace Stevens. This historical perspective adds the appeal of revisiting the American nineteenth-century literary and philosophical tradition, and even rewriting it.

The Antinomies of Realism is a history ofthe nineteenth-century realist novel and its legacy told without a glimmer of nostalgia for artistic achievements that the movement of history makes it impossible to recreate. The works of Zola, Tolstoy, Pérez Galdós, and George Eliot are in the most profound sense inimitable, yet continue to dominate the novel form to this day. Novels to emerge since struggle to reconcile the social conditions of their own creation with the history of this mode of writing: the so-called modernist novel is one attempted solution to this conflict, as is the ever-more impoverished variety of commercial narratives – what today’s book reviewers dub “serious novels,” which are an attempt at the impossible endeavor to roll back the past.  Fredric Jameson examines the most influential theories of artistic and literary realism, approaching the subject himself in terms of the social and historical preconditions for realism’s emergence. The realist novel combined an attention to the body and its states of feeling with a focus on the quest for individual realization within the confines of history.  In contemporary writing, other forms of representation – for which the term “postmodern” is too glib – have become visible: for example, in the historical fiction of Hilary Mantel or the stylistic plurality of David Mitchell’s novels. Contemporary fiction is shown to be conducting startling experiments in the representation of new realities of a global social totality, modern technological warfare, and historical developments that, although they saturate every corner of our lives, only become apparent on rare occasions and by way of the strangest formal and artistic devices.In a coda, Jameson explains how “realistic” narratives survived the end of classical realism. In effect, he provides an argument for the serious study of popular fiction and mass culture that transcends lazy journalism and the easy platitudes of recent cultural studies.

Product Description: This book reads the whole of Bret Easton Ellis's oeuvre to date from Less Than Zero to Imperial Bedrooms and asks to what extent Ellis's novels can be read as critiquing the cultural moments of which they are a part. Ellis's work can be thought of as an enactment of a process of underwriting contemporary culture, which offers new paths of understanding and ways of critiquing the contemporary author's place in the relations of production...read more

Environmental criticism is a relatively new discipline that brings the global problem of environmental crisis to the forefront of literary and cultural studies. This introduction defines what eco-criticism is and provides a set of conceptual tools to encourage students to look at the texts they're reading in a new way.

Product Description: As the site of crossings of colonizers, settlers, merchants, and goods, island nations such as Taiwan have seen a rich confluence of cultures, where peoples and languages were either forced to mix or did so voluntarily, due largely to colonial conquest and their crucial role in world economy...read more

Product Description: An epic adventure by the author of the award-winning Riverworld series. Fifteen billion years from now, Earth is a dying planet, its skies darkened by the ashes of burned-out galaxies, its molten core long cooled. The sunless planet is nearing the day of final gravitational collapse in the surrounding galaxy...read more

Product Description: THE GIRL WAS SPRAWLED OUT ON THE FLOOR IN THE LIVING ROOM OF HIS APARTMENT. So begins Joe Clifford Faust's classic science fiction thriller, which has entertained both SF and non-SF readers since its release nearly 25 years ago. Originally published as a paperback original by Del Rey Books, Honor was also a main selection of the Science Fiction Book Club, where it was given a generic cover and enjoyed crossover sales through the Mystery Guild Book Club...read more

Product Description: Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. A classic teenage fetish object, the American driver's license has long symbolized freedom and mobility in a nation whose design assumes car travel and whose vastness rivals continents...read more

Product Description: Dysfluencies is the first comprehensive study of how speech disorders are portrayed in modern literature. Tracing the roots of this interaction between literary practice and speech pathology back to the rise of aphasiology in the 1860s, Dysfluencies examines portrayals of disordered speech by writers like Zola, Proust, Joyce, Melville, and Mishima, as well as contemporary writers like Philip Roth, Gail Jones, and Jonathan Lethem...read more

After stumbling upon a dead woman in his apartment, Payne finds his life in danger when his search for the killer leads to a biological hazard threatening the existence of his decaying world

Product Description: The Encyclopedia of Postcolonial Studies brings together the most wide-ranging and up-to-date scholarship ever assembled on the colonial, postcolonial and neo-colonial condition, covering the period from 1492 to the present. The first and only reference of its kind that treats colonial processes as global and millennial Close to 400 entries offer unprecedented coverage, exploring the dynamics of European conquest from Columbus to China, and critiques of colonialism from Las Casas to Gayatri Spivak Written by an international cast of leading scholars An essential reference for scholars in a broad range of fields, including world literature, anthropology, political science, sociology, gender, feminist and queer studies, history and history of science 4 Volumes www...read more

In an “other world” composed of language—it could be a fathomless Martian well, a labyrinthine hotel or forest—a narrative unfolds, and with it the experiences, memories, and dreams that constitute reality for Haruki Murakami’s characters and readers alike. Memories and dreams in turn conjure their magical counterparts—people without names or pasts, fantastic animals, half-animals, and talking machines that traverse the dark psychic underworld of this writer’s extraordinary fiction.Fervently acclaimed worldwide, Murakami’s wildly imaginative work in many ways remains a mystery, its worlds within worlds uncharted territory. Finally in this book readers will find a map to the strange realm that grounds virtually every aspect of Murakami’s writing. A journey through the enigmatic and baffling innermost mind, a metaphysical dimension where Murakami’s most bizarre scenes and characters lurk, The Forbidden Worlds of Haruki Murakami exposes the psychological and mythological underpinnings of this other world. Matthew Carl Strecher shows how these considerations color Murakami’s depictions of the individual and collective soul, which constantly shift between the tangible and intangible but in this literary landscape are undeniably real.Through these otherworldly depths The Forbidden Worlds of Haruki Murakami also charts the writer’s vivid “inner world,” whether unconscious or underworld (what some Japanese critics call achiragawa, or “over there”), and its connectivity to language. Strecher covers all of Murakami’s work—including his efforts as a literary journalist—and concludes with the first full-length close reading of the writer’s newest novel, Colorless Tsukuru Tazaki and His Years of Pilgrimage.

In the history of sport, golf bears a unique relation to the natural world. The game evolved on the Scottish “links,” a peculiar terrain linking arable land and the rocky coast, which farmers could not domesticate as plowed land or pasture. Modern course design aims to simulate this semi-wild borderland, artificially constructing the water hazards, sand bunkers, and rough grass that occur naturally on the links. Golf simulates the effort to traverse and tame this landscape, with players hopping among islands of fairway and green while attempting to avoid hazards. In this simulated expedition, the golf ball functions as the player’s avatar, different from a baseball, soccer ball, or a billiard ball because it represents the attempt of a single person to navigate an unpredictable landscape. In this sense, the ball is an assertion of control over the natural world, an extension of the ego: a bad shot can arouse violent anger, while a good shot can feel sublime. Technical refinements in ball construction reflect ongoing attempts to enhance this sense of control. Consequently, golf course design has evolved in response to the evolution of the golf ball, which is now constrained by rigorous standards created to forestall the obsolescence of the world’s courses. Despite their considerable technical refinements, golf balls reveal the futility of control. They inevitably disappear in plain sight and find their way into hazards. Golf balls play with people. They do things we do not anticipate as if by their own will, so we project a will on to them, telling them: “Go left!” “Stay out of the trap!” or “Get in the hole!” But the imagined “will” of the ball is just a function of its interaction with a terrain, a natural world, we do not fully understand, and in this sense represents a vestige of animism.