Product Description: In this study, Ronald Berman examines the work of the critic/novelist Edmund Wilson and the art of F. Scott Fitzgerald and Ernest Hemingway as they wrestled with the problems of language, experience, perception and reality in the "age of jazz...read more

Product Description: Since the 1960s, the literary critic Harold Bloom has been producing some of the most powerful criticism in the United States. This large body of work has, since the publication of The Anxiety of Influence in 1973, increasingly distanced itself from all critical vogues, be they psychoanalytic, post-structuralist or new formalist, in favour of a highly idiosyncratic poetic theory...read more

Product Description: William Logan has been a thorn in the side of American poetry for more than three decades. Though he has been called the "most hated man in American poetry," his witty and articulate reviews have reminded us how muscular good reviewing can be...read more

Product Description: Bringing some of the insights of modern critical theory to bear on a great deal of information about Pound's activities as a literary critic (some of it made available only recently), K.K. Ruthven provides a provocative re-reading of a major modernist writer who dominated the discourse of modernism...read more

Product Description: Lionel Trilling, regarded at the time of his death in 1975 as America’s preeminent literary critic, is today often seen as a relic of a vanished era. His was an age when literary criticism and ideas seemed to matter profoundly in the intellectual life of the country...read more

Product Description: The thirteen essays in this collection combine to offer a complex and deeply nuanced picture of Samuel Clemens. With the purpose of straying from the usual notions of Clemens (most notably the Clemens/Twain split that has ruled Twain scholarship for over thirty years), the editors have assembled contributions from a wide range of Twain scholars...read more (view table of contents, read Amazon.com's description)

It is increasingly commonplace to find scholars who circle back to Ralph Waldo Emerson and his intellectual heirs as a way of better understanding contemporary social and aesthetic contexts. Why does Emerson's cultural legacy continue to influence writers so forcefully? In this innovative study, Randall Fuller examines the way pivotal twentieth-century critics have understood and deployed Emerson as part of their own larger projects aimed at reconceiving America. He examines previously unpublished material and original research on Van Wyck Brooks, Perry Miller, F.O. Matthiessen, and Sacvan Bercovitch along with other supporting thinkers. An engaging institutional history of American literary studies in the twentieth century, Emerson's Ghosts reveals the unexpected convergent forces that have shaped American cultural history in lasting ways.

American Literary Criticism Since the 1930s fully updates Vincent B. Leitch’s classic book, American Literary Criticism from the 30s to the 80s following the development of the American academy right up to the present day. Updated throughout and with a brand new chapter, this second edition: provides a critical history of American literary theory and practice, discussing the impact of major schools and movements examines the social and cultural background to literary research, considering the role of key theories and practices provides profiles of major figures and influential texts, outlining the connections among theorists presents a new chapter on developments since the 1980s, including discussions of feminist, queer, postcolonial and ethnic criticism. Comprehensive and engaging, this book offers a crucial overview of the development of literary studies in American universities, and a springboard to further research for all those interested in the development and study of Literature.

Product Description: The most notorious poet-critic of his generation, William Logan has defined our view of poets good and bad, interesting and banal, for more than three decades. Featured in the New York Times Book Review, the Times Literary Supplement, and the New Criterion, among other journals, Logan's eloquent, passionate prose never fails to provoke readers and poets, reminding us of the value and vitality of the critic's savage art...read more

The Rites of Identity argues that Kenneth Burke was the most deciding influence on Ralph Ellison's writings, that Burke and Ellison are firmly situated within the American tradition of religious naturalism, and that this tradition--properly understood as religious--offers a highly useful means for considering contemporary identity and mitigating religious conflict. Beth Eddy adds Burke and Ellison to a tradition of religious naturalism that traces back to Ralph Waldo Emerson but received its most nuanced expression in the work of George Santayana. Through close readings of the essays and fiction of Burke and Ellison, Eddy shows the extent to which their cultural criticisms are intertwined. Both offer a naturalized understanding of piety, explore the psychological and social dynamics of scapegoating, and propose comic religious resources. And both explicitly connect these religious categories to identity, be it religious, racial, national, ethnic, or gendered. Eddy--arguing that the most socially damaging uses of religious language and ritual are connected to the best uses that such language has to offer--finds in Burke and Ellison ways to manage this precarious situation and to mitigate religious violence through wise use of performative symbolic action. By placing Burke and Ellison in a tradition of pragmatic thought, The Rites of Identity uncovers an antiessentialist approach to identity that serves the moral needs of a world that is constantly negotiating, performing, and ritualizing changes of identity.

Product Description: T. S. Eliot's reformulation of the idea of literary tradition has been one of the key critical concepts of the twentieth century. In this reappraisal of tradition, an international team of scholars explores the concept from a variety of theoretical and historical perspectives, including a series of illuminating case studies evaluating Eliot's version of tradition alongside the theories of other major twentieth-century critics...read more

Product Description: Charles Dickens in Cyberspace opens a window on a startling set of literary and scientific links between contemporary American culture and the nineteenth-century heritage it often repudiates. Surveying a wide range of novelists, scientists, filmmakers, and theorists from the past two centuries, Jay Clayton traces the concealed circuits that connect the telegraph with the Internet, Charles Babbage's Difference Engine with the digital computer, Frankenstein's monster with cyborgs and clones, and Dickens' life and fiction with all manner of contemporary popular culture--from comic books and advertising to recent novels and films...read more

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In this interdisciplinary study of the development of institutional censorship, Clare Spark explores the complexities of 20th-century American cultural politics through the protagonists of the Melville Revival. She investigates closely the history of theRevival and its key critics, who manipulated Melville's life and writings in the service of their own particular social and political agendas. Spark's assertions are based on her exploration of either newly opened or previously unexplored archival materials of leading Melville scholars -- Raymond Weaver, Charles Olson, Henry A. Murray, and Jay Leyda. In addressing the distinction between what she calls the radical and conservative Enlightenment -- the conservative masquerading as progressive its attempt to reconcile scientific truth and social order -- Spark makes her way through Melville's often confusing and contradictory texts and examines the disputes within Melville scholarship, which often center on the mesmerizing figure of Ahab as either a democratic hero or a totalitarian dictator, corresponding to the rival epistemologies of modern society.

Product Description: Carolyn G. Heilbrun is renowned as a provocative feminist critic of the culture and (as Amanda Cross) a writer of witty detective novels. In Carolyn G. Heilbrun: Feminist in a Tenured Position, Susan Kress provides a compelling intellectual biography, tracing the evolution of Heilbrun’s thought and career in the context of the major debates and transformations of the contemporary women’s movement...read more

Product Description: Black Heart is a provocative and polemical critique of African American literary studies at the beginning of the twenty-first century. Through a series of sharp and insightful essays on a wide range of critical thinkers, Phillip M...read more

Product Description: "Criticism, as I understand and practice it, is evaluative as well as interpretive," writes Eugene Goodheart. Pieces of Resistance is a collection of Goodheart's essays and reviews written between 1960 and 1985. The book responds to the political, cultural, and literary changes expressed during this period by novelists, critics, and journalists...read more

The Worlds of Irving Howe: The Critical Legacy is a wide-ranging anthology of criticism devoted to the literary, cultural, and political work of the writer Irving Howe. The book offers a broad cross-section of critical and biographical writings about Howe. Collected here are assessments of Howe's work written by some of the most prominent intellectuals of the twentieth century, among them Lionel Trilling, Alfred Kazin, C. Vann Woodward, Robert Coles, Daniel Bell, Malcolm Cowley, and Arthur Schlesinger. The critical estimates of Howe's major books, collected here and framed by a major biographical introduction by John Rodden, constitute a sharply focused lens through which readers can re-evaluate the legacy of one of American's leading intellectuals and thereby understand the main issues of twentieth-century Anglo-American cultural history. Contributors: Lionel Trilling, Alfred Kazin, C. Vann Woodward, Newton Arvin, Charles Angoff, Edward Dahlberg, Isaac Rosenfeld, Richard Chase, H.D. Lasswell, Dennis Wrong, Michael Harrington, Christopher Lasch, Robert Coles, Daniel Bell, Malcolm Cowley, Arthur Schlesinger, Theodore Solotaroff, Clive James, Norman Podhoretz, Irving Kristol, and William Phillips, among others.

'Comparative study of Henry James's and William Dean Howells's literary criticism. Examines the interrelationship between the men, emphasizing their aesthetic concerns and attitudes toward the market and audience, and their beliefs concerning the moral value of fiction and the United States as a literary subject, and writings about each other'--Provided by publisher.