9780197261262 | British Academy, February 3, 1994, cover price $65.00 | About this edition: Our modern conception of the Renaissance has been changed substantially by the scholarship of the last fifty years, and the British contribution to this research has been enormous.

9780197261590 | Reprint edition (British Academy, May 25, 1995), cover price $74.00 | About this edition: Our modern conception of the Renaissance has been changed substantially by the scholarship of the last fifty years, and the British contribution to this research has been enormous.

9780691029696 | Princeton Univ Pr, October 1, 1998, cover price $70.00 | About this edition: As historians delve increasingly into the issues of political propaganda and visual art, Marla Stone provides a penetrating explanation of Italian Fascist arts patronage, one that explores the model of cultural consensus that set the Italian experience apart from that of Nazi Germany.

9780691059990, titled "Patron State: Culture and Politics in Fascist Italy" | Princeton Univ Pr, October 1, 1998, cover price $33.95 | About this edition: As historians delve increasingly into the issues of political propaganda and visual art, Marla Stone provides a penetrating explanation of Italian Fascist arts patronage, one that explores the model of cultural consensus that set the Italian experience apart from that of Nazi Germany.

9780134336732 | Prentice Hall, February 1, 1996, cover price $26.00

9780810927339 | Harry N Abrams Inc, May 1, 1995, cover price $16.95

9780131833166 | Prentice Hall Pr, May 1, 1995, cover price $27.00 | About this edition: Enhanced by numerous color illustrations, explores Italian Renaissance art and culture.

9780801852879 | Reprint edition (Johns Hopkins Univ Pr, January 1, 1996), cover price $23.95

9780140124880 | Reprint edition (Penguin USA, May 1, 1995), cover price $14.95

9780713990201 | Penguin USA, February 1, 1993, cover price $40.00 | About this edition: Bram Kempers presents the period of the Renaissance as a process of the developing professionalization of the artist, with a line of patronage stretching from the mendicant orders and city states, through merchant families, princely and ducal rulers, to the great papal courts of Rome.