Product Description: The Apostles in Early Christian Art and Poetry presents the first in-depth analysis of the origins of the representation of the apostles (the twelve disciples and Paul) in verse and image in the late antique Greco-Roman world (250-400)...read more

Product Description: Images and artistic representations were of significant value to the early Christian communities. In Christ the Miracle Worker in Early Christian Art, Lee Jefferson argues, in fact, that images provided visual representations of vital religious and theological truths crucial to the faithful, by which art possessed the power to project concepts and claims beyond the limitations of the written and spoken word...read more

Product Description: Was dachten Christen beim Betrachten von Bildern im Grabbereich, warum suchten sie welche Bilder fur ihre Graber aus und welche Bilder waren ihnen besonders wichtig? Das Buch fragt nach den haufigsten Bildthemen des 3. und 4. Jahrhunderts, nach einem Zusammenhang zwischen ihnen und theologischen Kommentaren sowie nach dem sozialen Hintergrund der christlichen Auftraggeber...read more

Product Description: This book deals with the apse as a showcase for images in the early Christian and early Byzantine periods. Two opposed traditions, harking back to early imperial times, nourished the invention of the apse image: on the one hand there were statues in apses of pagan temples and imperial cult rooms that were venerated during cult ceremonies; on the other hand, there were apse mosaics in nymphaea where aquatic myths and figures celebrated the amenities of water...read more

Art and the Roman Viewer presents a fresh analysis of a major intellectual problem in the history of art: why did the arts of Late Antiquity move away from classical naturalism towards spiritual abstraction? Arguing from a close examination of ancient art images and texts, Jas Elsner shows how an understanding of Roman viewing practices greatly deepens our insight into this fundamental transformation. The sophisticated arts of the early empire, such as Pompeian painting, sculpted reliefs and silverware, entertain the potential for irony, parody, and deconstruction. By contrast, the symbolic arts of the Christian empire, notably the mosaics of Ravenna, eschew irony, while complexity remains, indeed intensifies, as multiple meanings compete to enrich a fundamentally sacred truth. By addressing the subtleties inherent in ancient viewing, this study embarks on a quest to enrich our understanding of an era of profound artistic change.

Product Description: Book by Elizabeth Bruening Lewis